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Jeremy116

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  1. Dude, it is his opinion. He can say whatever he wants, jeez.
  2. The drumline for KK is very young, very young...the snare line is all high school kids pretty much except the center guy. The majority of the corps is actually from Florida, probably 85 percent if not more. The corps is young, but they work very hard and are playing a fun show. They have a talented staff, so they will hopefully keep pushing and make semis. The mellophone soloist is my sister :) Her name is Brandy. Jeremy Vest www.chsdrumline.com
  3. Actually, sir, no that is not the case. It will not work on my laptop b/c of the sound card and memory requirements, and the GigaSampler crashed my computer. Also, on my laptop, I only have one drive, a CD Burner, so I cannot copy the disc. There are some that do not do that, especially since I work for a company that has been hard by music piracy. But I thank you for your comments, really I do.
  4. Hello. I just got the Virtual Drumline software, but do not have the patience to get it to work with my laptop (probably not the best system for it anyway). At any rate, everything is included that came in the box. I have had it for a week now. For more info on the product, check out this link: http://www.tapspace.com/vdrumline.html I am asking $80 plus $5 s/h. Let me know... jeremy116@aol.com Jeremy
  5. I think this is a very good question, and both sides have valid points. I am a Percussion Judge, and I feel that the judge should be on the field if there is one judge. In a perfect world, there would be a field guy and a box guy (or gal lol) but that won't happen. Judging in the box is good if you are a) in a small stadium, and B) if the band your are adjudicating isn't too large. What I mean by the too large comment is, for example in Florida, if you are judging Cypress Creek HS, with over 150+ wind players and usually writes the drumline behind the band, it is hard to hear exactly what the battery is playing, so you almost have to go on the field even if it is a little bit to get a sampling for what is going on back there. I have viewed them from the box and the sound just gets lost in the thickness of the wind sound. But, I see what people mean when they feel that a judge that goes back in the back with the battery misses a lot of stuff---and if they stay back there too long they will. I try to stay up on the track where I can sample the whole program, and I can usually do a good job catching everything...I don't go onto the field too much and when I do I try not to go all the way back unless necessary--and when I do, I am not back for too long. This way I can get a sense for what the ensemble is doing as a whole. Also, if the judge is worth his salt, he will be able to pick up ensemble and balance problems, FOR THE MOST PART, from the sideline. This of course isn't a perfect system, but it has worked for me and it works for DCI as well. Hope this helps... Jeremy Vest www.chsdrumline.com PS-In a perfect world though, the Percussion Caption would have 2 judges lol...would be nice. And I also feel the judge should have sufficient knowledge of battery and front ensemble percussion.
  6. I am going to end the auction once I have 5 buyers....I only want to charge $25...I'm going through ebay to protect both the buyer and the seller. If all 5 are sold, and there is demand for more, I will relist and make more sets. Or you can email me at Jeremy116@aol.com.
  7. http://cgi.ebay.com/ws/eBayISAPI.dll?ViewI...=ADME:B:LC:US:1
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