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The "Music Corps Should Do" thread


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And all the science I don't understand.

It's just my job five days a week.

 

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Diligent in my quest for more movie soundtracks to be used in drum corps... this would make a fantastic ballad with the right arrangement 

 

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On 9/19/2017 at 10:12 PM, N.E. Brigand said:

And all the science I don't understand.

It's just my job five days a week.

 

What I dont understand is why dci corps can't explore more genres of music. Classical, symphonic inspire..etc rules the roost year after year. 

Here is a list of genres to choose from,

http://www.musicgenreslist.com/

[one_half]

  • Alternative
    • Art Punk
    • Alternative Rock
    • College Rock
    • Crossover Thrash (thx Kevin G)
    • Crust Punk (thx Haug)
    • Experimental Rock
    • Folk Punk
    • Goth / Gothic Rock
    • Grunge
    • Hardcore Punk
    • Hard Rock
    • Indie Rock
    • Lo-fi (hat tip to Ben Vee Bedlamite)
    • New Wave
    • Progressive Rock
    • Punk
    • Shoegaze (with thx to Jackie Herrera)
    • Steampunk (with thx to Christopher Schaeffer)
  • Anime
  • Blues
    • Acoustic Blues
    • Chicago Blues
    • Classic Blues
    • Contemporary Blues
    • Country Blues
    • Delta Blues
    • Electric Blues
    • Ragtime Blues (cheers GFS)
  • Children’s Music
    • Lullabies
    • Sing-Along
    • Stories
  • Classical
    • Avant-Garde
    • Baroque
    • Chamber Music
    • Chant
    • Choral
    • Classical Crossover
    • Contemporary Classical (thx Julien Palliere)
    • Early Music
    • Expressionist (thx Mr. Palliere)
    • High Classical
    • Impressionist
    • Medieval
    • Minimalism
    • Modern Composition
    • Opera
    • Orchestral
    • Renaissance
    • Romantic (early period)
    • Romantic (later period)
    • Wedding Music
  • Comedy
    • Novelty
    • Standup Comedy
    • Vaudeville (cheers Ben Vee Bedlamite)
  • Commercial (thank you Sheldon Reynolds)
    • Jingles
    • TV Themes
  • Country
    • Alternative Country
    • Americana
    • Bluegrass
    • Contemporary Bluegrass
    • Contemporary Country
    • Country Gospel
    • Country Pop (thanks Sarah Johnson)
    • Honky Tonk
    • Outlaw Country
    • Traditional Bluegrass
    • Traditional Country
    • Urban Cowboy
  • Dance (EDM – Electronic Dance Music – see Electronic below – with thx to Eric Shaffer-Whiting & Drew :-))
    • Club / Club Dance (thx Luke Allfree)
    • Breakcore
    • Breakbeat / Breakstep
    • Brostep (cheers Tom Berckley)
    • Chillstep (thx Matt)
    • Deep House (cheers Venus Pang)
    • Dubstep
    • Electro House (thx Luke Allfree)
    • Electroswing
    • Exercise
    • Future Garage (thx Ran’dom Haug)
    • Garage
    • Glitch Hop (cheers Tom Berckley)
    • Glitch Pop (thx Ran’dom Haug)
    • Grime (thx Ran’dom Haug / Matthew H)
    • Hardcore
    • Hard Dance
    • Hi-NRG / Eurodance
    • Horrorcore (thx Matt)
    • House
    • Jackin House (with thx to Jermaine Benjamin Dale Bruce)
    • Jungle / Drum’n’bass
    • Liquid Dub(thx Ran’dom Haug)
    • Regstep (thanks to ‘Melia G)
    • Speedcore (cheers Matt)
    • Techno
    • Trance
    • Trap (thx Luke Allfree)
  • Disney
  • Easy Listening
    • Bop
    • Lounge
    • Swing
  • Electronic
    • 2-Step (thx Ran’dom Haug)
    • 8bit – aka 8-bit, Bitpop and Chiptune – (thx Marcel Borchert)
    • Ambient
    • Bassline (thx Leon Oliver)
    • Chillwave(thx Ran’dom Haug)
    • Chiptune (kudos to Dominik Landahl)
    • Crunk (with thx to Jillian Edwards)
    • Downtempo
    • Drum & Bass (thx Luke Allfree)
    • Electro
    • Electro-swing (thank you Daniel Forthofer)
    • Electronica
    • Electronic Rock
    • Hardstyle (kudos to Dominik Landahl)
    • IDM/Experimental
    • Industrial
    • Trip Hop (thank you Michael Tait Tafoya)
  • Enka
  • French Pop
  • German Folk
  • German Pop
  • Fitness & Workout
  • Hip-Hop/Rap
    • Alternative Rap
    • Bounce
    • Dirty South
    • East Coast Rap
    • Gangsta Rap
    • Hardcore Rap
    • Hip-Hop
    • Latin Rap
    • Old School Rap
    • Rap
    • Turntablism (thank you Luke Allfree)
    • Underground Rap
    • West Coast Rap
  • Holiday
    • Chanukah
    • Christmas
    • Christmas: Children’s
    • Christmas: Classic
    • Christmas: Classical
    • Christmas: Comedy
    • Christmas: Jazz
    • Christmas: Modern
    • Christmas: Pop
    • Christmas: R&B
    • Christmas: Religious
    • Christmas: Rock
    • Easter
    • Halloween
    • Holiday: Other
    • Thanksgiving
  • Indie Pop
  • Industrial
  • Inspirational – Christian & Gospel
    • CCM
    • Christian Metal
    • Christian Pop
    • Christian Rap
    • Christian Rock
    • Classic Christian
    • Contemporary Gospel
    • Gospel
    • Christian & Gospel
    • Praise & Worship
    • Qawwali (with thx to Jillian Edwards)
    • Southern Gospel
    • Traditional Gospel
  • Instrumental
    • March (Marching Band)
  • J-Pop
    • J-Rock
    • J-Synth
    • J-Ska
    • J-Punk
  • Jazz
    • Acid Jazz (with thx to Hunter Nelson)
    • Avant-Garde Jazz
    • Bebop (thx Mwinogo1)
    • Big Band
    • Blue Note (with thx to Jillian Edwards)
    • Contemporary Jazz
    • Cool
    • Crossover Jazz
    • Dixieland
    • Ethio-jazz (with thx to Jillian Edwards)
    • Fusion
    • Gypsy Jazz (kudos to Mike Tait Tafoya)
    • Hard Bop
    • Latin Jazz
    • Mainstream Jazz
    • Ragtime
    • Smooth Jazz
    • Trad Jazz
  • K-Pop
  • Karaoke
  • Kayokyoku
  • Latin
    • Alternativo & Rock Latino
    • Argentine tango (gracias P. Moth & Sandra Sanders)
    • Baladas y Boleros
    • Bossa Nova (with thx to Marcos José Sant’Anna Magalhães & Alex Ede for the reclassification)
    • Brazilian
    • Contemporary Latin
    • Cumbia (gracias Richard Kemp)
    • Flamenco / Spanish Flamenco (thank you Michael Tait Tafoya & Sandra Sanders)
    • Latin Jazz
    • Nuevo Flamenco (and again Michael Tafoya)
    • Pop Latino
    • Portuguese fado (and again Sandra Sanders)
    • Raíces
    • Reggaeton y Hip-Hop
    • Regional Mexicano
    • Salsa y Tropical
  • New Age
    • Environmental
    • Healing
    • Meditation
    • Nature
    • Relaxation
    • Travel
  • Opera
  • Pop
    • Adult Contemporary
    • Britpop
    • Bubblegum Pop (thx Haug & John Maher)
    • Chamber Pop (thx Haug)
    • Dance Pop
    • Dream Pop (thx Haug)
    • Electro Pop (thx Haug)
    • Orchestral Pop (thx Haug)
    • Pop/Rock
    • Pop Punk (thx Makenzie)
    • Power Pop (thx Haug)
    • Soft Rock
    • Synthpop (thx Haug)
    • Teen Pop
  • R&B/Soul
    • Contemporary R&B
    • Disco (not a top level genre Sheldon Reynolds!)
    • Doo Wop
    • Funk
    • Modern Soul (Cheers Nik)
    • Motown
    • Neo-Soul
    • Northern Soul (Cheers Nik & John Maher)
    • Psychedelic Soul (thank you John Maher)
    • Quiet Storm
    • Soul
    • Soul Blues (Cheers Nik)
    • Southern Soul (Cheers Nik)
  • Reggae
    • 2-Tone (thx GFS)
    • Dancehall
    • Dub
    • Roots Reggae
    • Ska
  • Rock
    • Acid Rock (with thanks to Alex Antonio)
    • Adult-Oriented Rock (thanks to John Maher)
    • Afro Punk
    • Adult Alternative
    • Alternative Rock (thx Caleb Browning)
    • American Trad Rock
    • Anatolian Rock
    • Arena Rock
    • Art Rock
    • Blues-Rock
    • British Invasion
    • #### Rock
    • Death Metal / Black Metal
    • Doom Metal (thx Kevin G)
    • Glam Rock
    • Gothic Metal (fits here Sam DeRenzis – thx)
    • Grind Core
    • Hair Metal
    • Hard Rock
    • Math Metal (cheers Kevin)
    • Math Rock (thx Ran’dom Haug)
    • Metal
    • Metal Core (thx Ran’dom Haug)
    • Noise Rock (genre – Japanoise – thx Dominik Landahl)
    • Jam Bands
    • Post Punk (thx Ben Vee Bedlamite)
    • Prog-Rock/Art Rock
    • Progressive Metal (thx Ran’dom Haug)
    • Psychedelic
    • Rock & Roll
    • Rockabilly (it’s here Mark Murdock!)
    • Roots Rock
    • Singer/Songwriter
    • Southern Rock
    • Spazzcore (thx Haug)
    • Stoner Metal (duuuude)
    • Surf
    • Technical Death Metal (cheers Pierre)
    • Tex-Mex
    • Time Lord Rock (Trock) ~ (thanks to ‘Melia G)
    • Trash Metal (thanks to Pierre A)
  • Singer/Songwriter
    • Alternative Folk
    • Contemporary Folk
    • Contemporary Singer/Songwriter
    • Indie Folk (with thanks to Andrew Barrett)
    • Folk-Rock
    • Love Song (Chanson – merci Marcel Borchert)
    • New Acoustic
    • Traditional Folk
  • Soundtrack
    • Foreign Cinema
    • Movie Soundtrack (thanks Julien)
    • Musicals
    • Original Score
    • Soundtrack
    • TV Soundtrack
  • Spoken Word
  • Tex-Mex / Tejano (with thx to Israel Lopez)
    • Chicano
    • Classic
    • Conjunto
    • Conjunto Progressive
    • New Mex
    • Tex-Mex
  • Vocal
    • A cappella (with kudos to Sheldon Reynolds)
    • Barbershop (with thx to Kelly Chism)
    • Doo-wop (with thx to Bradley Thompson)
    • Gregorian Chant (hat tip to Deborah Knight-Nikifortchuk)
    • Standards
    • Traditional Pop
    • Vocal Jazz
    • Vocal Pop
  • World
    • Africa
    • Afro-Beat
    • Afro-Pop
    • Asia
    • Australia
    • Cajun
    • Calypso (thx Gerald John)
    • Caribbean
    • Carnatic (Karnataka Sanghetha – thx Abhijith)
    • Celtic
    • Celtic Folk
    • Contemporary Celtic
    • Coupé-décalé (thx Samy) – Congo
    • Dangdut (thank you Achmad Ivanny)
    • Drinking Songs
    • Drone (with thx to Robert Conrod)
    • Europe
    • France
    • Hawaii
    • Hindustani (thank you Abhijith)
    • Indian Ghazal (thank you Gitika Thakur)
    • Indian Pop
    • Japan
    • Japanese Pop
    • Klezmer
    • Mbalax (thank you Samy) – Senegal
    • Middle East
    • North America
    • Ode (thank you Sheldon Reynolds)
    • Piphat (cheers Samy B) – Thailand
    • Polka
    • Soca (thx Gerald John)
    • South Africa
    • South America
    • Traditional Celtic
    • Worldbeat
    • Zydeco
Edited by Triple Forte
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When corps do go the pop/alternate genre route, they almost always do pieces that are classically/symphonically oriented if you really think about it. 

Everything Bloo has done with popular genres since Creep (and including creep) have been pieces that are highly complex harmonically. They sound great because the arranger has something great to work with.  Same thing with Crown and what they did with Rach Star and such. 

Heck, even "great" classical pieces are really hard to get sounding great for brass and percussion.  I'd say that a lot of the reasons you'd apply to the genres above so rarely hitting the field are the same as French impressionistic music not getting done very often.

It's a tightrope, and even Wayne Downey and Michael Klesch's powers extend so far when there's not a lot of harmonic structure to the music or it's incredibly rubato, for instance.  And if it's just downright stupid (like the K-Pop stuff), we end up hearing pre-recorded samples instead of hearing the brass and percussion do their thing.

This is making me sound like I don't want more pop/other genres, when I really, really do.  So I'll stop now. 

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6 hours ago, Triple Forte said:

What I don't understand is why DCI corps can't explore more genres of music. Classical, symphonic-inspired, etc. rules the roost year after year. 

Here is a list of genres to choose from:

http://www.musicgenreslist.com/

Well, "classical" in the broad sense used by classical radio stations encompasses some 400+ years of music from lots of genres. There's surely an argument to be made that Beethoven and Vaughan Williams, separated by more than a century, are farther apart in musical terms than, say, Frank Zappa and Celine Dion.

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28 minutes ago, Lithium Nitro said:

Would love to see a corps do a rendition of "Chevaliers de Sangreal" by Hans Zimmer. While I'm a firm believe of book over movie I have to say the score really adds something to this scene in The Da VInci Code.

YES PLEASE. That soundtrack is excellent, but that piece in particular is really fantastic. 

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2 hours ago, Lithium Nitro said:

Would love to see a corps do a rendition of "Chevaliers de Sangreal" by Hans Zimmer. While I'm a firm believe of book over movie I have to say the score really adds something to this scene in The Da VInci Code.

That's in my initial post for this thread. 

LOVE it. The way it builds reminds me a bit of "The Canyon" by Glass. 

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Don't post a lot on here, but I lurk a decent amount so I figured I'd throw an idea or two out there that I haven't seen posted here:

All of these to me just sound like they have some face melting moments.

EDIT: Tried fixing the double posted link

Edited by shawnguitarguy
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