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Field Electronics - How much is too much?


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I personally love the electronics being used except for one major exception. I hate the brass being supplemented (with a patch or whatever the case may be) usually for volume purposes but not always. I don't think any brass instrument patches should be allowed. The horn line shouldn't need any help in that department. Otherwise, it's all fair game.

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Who wants to bet that within 10 years, an electronics caption pops up on the sheets?

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I guess I'm the only person in the world this year that hardly noticed Bluecoats electronics this year. I saw them live and was only 7 rows up next to the 50 and the electronics were something that I never even noticed. Maybe my attention was drawn elsewhere or they were so well integrated I couldn't tell they were there, but the only time I actually could really hear something was the rewind section.

You could hardly tell? Um............

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Once the electronics reaches the point that the artists want it to, we can eliminate the music judges completely and restructure the scores as percussion (sticks only), 20; visual, 40; and GE, 40.

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You can imitate just about any instrument on a synth with an easy setting. I don't know why there are still horns being used.

Edited by D41145
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When the band I teach was very tiny, around 2002, we wireless micced every wind player on the field except the two trumpets, the mello player, and the two piccs. About a dozen were micced overall.

When the DCI corps started miking their soloists a few years back, I was completely against it, unless it was used to create a special effect.

But now.... after seeing/hearing how the solos and featured small-group brass segments (the trombone features, etc.) are staged within a show, the use of microphones makes perfect sense.

And it seems more corps are figuring out how to make proper use of those microphones... there are far fewer examples of tin-can, overmodulated, just plain bad sound.

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You could hardly tell? Um............

I'm not lying. Like I said, must have been seamlessly integrated. After getting annoyingly blasted out of my seat with electronics from two unnamed corps that went before them I was expecting a lot more from what some people on here were saying.

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D41145...when you find a synth that sounds like Carolina Crown, Bluecoats, Blue Devils, Santa Clara Vanguard, and Cadets (to name just a few) would you let me know. I'd sure like one in my man cave.

Considering Bluecoats used a brass patch on the synth, just find out what brand they used. You'll be able to play like them in no time. XD

Edited by UKSuperman
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