garfield Posted August 6, 2017 Author Share Posted August 6, 2017 19 minutes ago, Just Here said: Good luck with this. There is nothing simple about it unless you are BD, whose has done this consistently for years now. I have wanted show designers and concept developers to be held to account for their lack of consistency from year to year for a while now and it seems like every time I have a negative comment by wanting the same standard for these folks as is required for the performing members, I get trashed on DCP. I appreciate your opinion as it relates to the topic: A&E. Quote Link to comment Share on other sites More sharing options...
garfield Posted August 6, 2017 Author Share Posted August 6, 2017 29 minutes ago, cadet93 said: What do we want from Cadets? A well designed/innovative show and top tier achievement. Pretty simple. Sans E-boosting the sections. "...2019..." 1 Quote Link to comment Share on other sites More sharing options...
Cappybara Posted August 6, 2017 Share Posted August 6, 2017 49 minutes ago, MikeRapp said: Of all the amplification going on this season, he picks out SCV ampimg soloists? I mean, really, Cadets had so much amplification in Nashville that they had bad feedback four separate times, and no other corps had any. I totally agree about reigning in amplification, but this sounds like sour grapes to me. Granted any complaints about electronics coming out of George Hopkins' mouth sounds ridiculous, but I agree with him regarding SCV. Same goes for Phantom and any other corps amplifying more than a soloist 1 Quote Link to comment Share on other sites More sharing options...
wallace Posted August 6, 2017 Share Posted August 6, 2017 32 minutes ago, cadet93 said: What do we want from Cadets? A well designed/innovative show and top tier achievement. Pretty simple. Well said! Consistent championship form and content EVERY year. Anything else is a failure. We haven't had consistency since the nineties. Quote Link to comment Share on other sites More sharing options...
tedrick Posted August 6, 2017 Share Posted August 6, 2017 interested in what GH was say re: taking the hornline, recording them in sections and then playing the sound back through the system along with the hornline full out to double the sound -- who was he referring to? Quote Link to comment Share on other sites More sharing options...
Cadevilina Crown Posted August 6, 2017 Share Posted August 6, 2017 1 minute ago, tedrick said: interested in what GH was say re: taking the hornline, recording them in sections and then playing the sound back through the system along with the hornline full out to double the sound -- who was he referring to? I know his own corps does it based on what I saw and heard in their rehearsal earlier today. Quote Link to comment Share on other sites More sharing options...
cixelsyd Posted August 6, 2017 Share Posted August 6, 2017 2 hours ago, N.E. Brigand said: The pit has been allowed to park and bark, er, bash, for 37 years. Why is it OK for them but not the brass? Because a marimba is way heavier than a choir robe. Quote Link to comment Share on other sites More sharing options...
Liahona Posted August 6, 2017 Share Posted August 6, 2017 (edited) 6 minutes ago, Cadevilina Crown said: I know his own corps does it based on what I saw and heard in their rehearsal earlier today. SAD! Let's help the cadets hornline sound bigger and better than they really are trick...ahahahahahahahahaha Edited August 6, 2017 by Liahona Quote Link to comment Share on other sites More sharing options...
Wog Posted August 6, 2017 Share Posted August 6, 2017 2 hours ago, N.E. Brigand said: The pit has been allowed to park and bark, er, bash, for 37 years. Why is it OK for them but not the brass? I for one would rather have a sideline pit versus say marching keyboards or timpani and glad that evolved as such. These instruments just look to awkward on the field. Brass is OK to park and bark... sometimes you just got to let it out!!! Quote Link to comment Share on other sites More sharing options...
Liahona Posted August 6, 2017 Share Posted August 6, 2017 10 minutes ago, tedrick said: interested in what GH was say re: taking the hornline, recording them in sections and then playing the sound back through the system along with the hornline full out to double the sound -- who was he referring to? 8 minutes ago, Cadevilina Crown said: I know his own corps does it based on what I saw and heard in their rehearsal earlier today. I'm happy you guys pointed this out...this certainly explains to me why I heard some really weird intonation problems with cadets at Allentown... Quote Link to comment Share on other sites More sharing options...
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