Popular Content

Showing content with the highest reputation since 12/04/2010 in all areas

  1. 71 points
    Dear DCI, Over the past 15+ years, I’ve been a faithful fan. I’ve gone to at least one live event every year, save one. I've watched a theatrical presentation at least every other year. I’ve subscribed to the FanNetwork for the past two years. I’ve bought several DVDs and CDs from new releases to legacy collection DVDs. This year, I volunteered to serve as a DCI ambassador and hosted multiple DCI-watching parties at my house early in the season. However, I will be taking some time off from DCI, and I wanted to let you know why. I fell in love with drum corps because I loved the power of brass and percussion matched with beautiful visual designs. However, performances in recent years no longer highlight the qualities that made me such a rabid DCI fan. I didn’t like vocal elements, especially voice-overs, but I tolerated them (though a very few notable exceptions were well-planned and well-executed, including this year’s performance by Spirit). Even so, I bristled when it seemed that judges failed to reward excellent usage and/or penalize poor usage. I also object to the idea of a non-youth soundboard operator having so much control over what is supposed to be performances of a youth activity. Worse yet, I absolutely hate the idea of using synthesized sounds (how is it fair that a single key-press can overpower and/or cover an entire tuba section, for example?), and in almost every case, I still find them offensive, especially when, again, judges ignore blatantly tasteless applications (for example, the hideous patch that echoed the beautiful solo in the Cadets’ “Do You Hear What I Hear” this year). However, because of my love for brass, percussion, and drill, I’ve tolerated them, too. As this season wore on, I found myself caring less and less for drum corps. I watched fewer FanNetwork events. Instead of watching tonight’s semi-finals, I watched the Olympics, chatted on Facebook, and wrote this letter. A big part of my disappointment is the DCI judges’ continued approval of the Blue Devils’ show (following on the heels of several confusing, annoying, and critically acclaimed BD shows). Despite the many scatter drills, absurd theme, disjointed music, and general disregard for audience enjoyment, DCI’s judges have consistently rated them as the best show in the competition—this despite at least a few shows that seem equally difficult, clean, and stylistically unified, while presenting greater entertainment value and artistic quality. If Blue Devils 2012 is DCI’s picture of perfection, then DCI is no longer a place where I can feel at home. It is no longer an organization dedicated to brass, percussion, and drill. It is more concerned with synthesizers, amplification, and dance. When I want to see and hear such things (which is rare), I can find all of them in other places for a whole lot less money. When I want to see and hear brass, percussion, and drill, I no longer have a place to go—there are no DCA competitions in my area. Instead, I’ll go back and enjoy the great shows of the past via the FanNetwork (until my subscription runs out) and the DVDs in my collection. I will not be going to any DCI shows next season, I will not subscribe to the FanNetwork, and I will not buy any DVDs or CDs. After a year, if I find I’ve missed the activity, perhaps I’ll come back. If rules change, perhaps I’ll come back sooner. In summary, the great moments of Drum Corps have become fewer and farther between, while the tolerated annoyances have become more and more common, and I see no evidence that DCI is willing to do anything to shift the balance in the opposite direction. As a side note, I have made a point of asking other audience members their opinions, including new and old fans, of a variety of ages, in several different locations. I have found only one who found the Blue Devils’ show interesting (none used the word “entertaining”, and several described it with an expletive), and none who specifically complimented the synths. On the contrary, the most common description of them was something to be “tolerated”. On the other hand, everyone commented on big brass moments, blazing percussion features, and fast drill patterns. My survey is completely non-scientific, and I’m sure it will sound to you like I cherry-picked my respondants. Even I have been surprised by the uniformity of reactions, but I swear that what I’ve reported is exactly what I’ve heard. I know that this is a letter from a disgruntled former fan—something likely to be ignored—but I sincerely hope that the DCI membership will take it to heart. I am not the only one who shares this opinion, and I don’t think I’m even in a minority. Perhaps others will stick around for a few more years, but in this era of limited financial support for arts organizations, I can’t imagine that losing even a few long-time, dedicated fans is an ideal organizational model. Furthermore, I miss the DCI that lit so many fans on fire for so many years. I long for the day when I will be able to feel that energy and excitement again. Sincerely, Julian Bryson Poll update: I eliminated one of the answers, and I sincerely hope those who chose that answer will now choose a different one. I wish I had never included that answer, but I just didn't think it through well enough from the start. Sorry for that. For the sake of accuracy in figuring future percentages, there were approximately 40 votes for "Not really, things have changed, but I don't think they're as bad as he says" when that answer was removed. And before you jump on me, my purpose in removing it was not to inflate the percentages for other answers. Those who completely agree with me should still be in the neighborhood of 15% (not 20% as it now shows).
  2. 57 points
    My son gets on an airplane and heads for Mars tomorrow. He will be marching his age-out year, and I find myself pretty weepy about the whole deal. It seems like it was just yesterday when I was driving him to Jacksonville AL for his first camp when he was still 16. Drum corps, irrespective of where loyalties/preferences/tastes lie, is a fabulous thing for Thomas, and for thousands of kids each summer. He has literally grown up, one rehearsal, one run through, one performance, one bus ride at a time. He started as a boy, and now marches his last summer as a fully grown man. All of you who teach, who direct, who volunteer, are owed a great debt of gratitude by parents like me. We put our children into your hands, and you have earned our trust. I hope every single kid, no matter what judges sheet or someone screaming in a crowd or here has to say, gets to experience a summer of fun, of growth, of excellence, and, every now and then, of the transcendence and beauty that drum corps can bring into this often fractious world of ours. Good luck to everyone! Wear sunscreen! Find that quality within yourself that allows you to know that sometimes limits aren't limits, and there is always a little something more that you have deep down inside yourselves.
  3. 53 points
    I went to the Colts home show last night in Dubuque. And I'm sorry to say that I found myself completely entertained despite the fact that not one G8 corps was there. I thought that type of thing was NOT supposed to happen!! I think somebody owes me an apology. It all started with the Colt Cadets. I knew those kids were up to no good the minute I heard the hot drum licks and saw their energetic marching. Then they had the gall to play music that entertained the crowd. Notorious indeed! But it didn't stop there. Next came Teal Sound. And how were they? Well, lets just say they committed the 8th sin with their show - being entertaining! I took a few minutes to compose myself. "Maybe they just didn't get the memo," I thought. "Spirit is up next. Surely THEY know how it's supposed to be. They'll follow the rules and come out flat and dull like - wait a minute..." Spirit was entertaining too! Then it just wouldn't stop... Glassmen? Entertaining. Madison? Entertaining. Boston? Entertaining. Colts? Entertaining. It was as if EVERY corps planned on being entertaining from the very beginning!! Dear God, what a disaster. Oh, and I'm not the only one who was entertained. I looked around and all I could see were rows and rows of smiling faces. "Stop, STOP!" I cried, "This is NOT the way it's supposed to be!" But people just kept on enjoying the show and cheering for all the corps anyway. The poor fools. So today I'm upset and a little worried. If this entertainment thing catches on with every corps that is not G8, well, I just don't think drum corps will ever be the same again. Heaven help us.
  4. 47 points
    I sat on the 50 yard line inside the lower press box tonight in San Antonio. The Blue Devils are simply the most phenomenal performers I've ever seen in 33 years of drum corps. There isn't a moment that wasn't captivating, engaging, or that failed to just blow me out of the water. I alternately whistled, laughed, or just held my breath waiting for the next insane moment. It's the first time I've seen a show ever that captivated me completely from the corps entering the field to the very end. There has never been anything like them, and this show left me breathless. Just WOW. Can't wait to see it again... Thanks Blue Devils... that was outstanding. I also understand why people might not like it... but I just witnessed a new standard in performance and coordinated design. Outstanding! Chuck Naffier
  5. 45 points
    Its a warm up... not a performance. Want to get blown away? Buy a ticket to the show.
  6. 43 points
    Drum Corps kid's photo This is my kid. He's been watching DC since before his second birthday. He's 16. He filled spot #150 with Madison two weeks before the first show this year. He doesn't particularly care what the scores are (except that a classmate is marching in a competing corps!) He's been bitten by the bug that lives in the roar of the crowd. He's learned that hard work has rewards, that trust is earned and shared, and that his old man (a DC fossil from the 80's) is only half full of crap. He's learned that his limit is further out than he ever imagined. While the discussions we have here on DCP run the gamut, from thoughtful to _____________, lets remember the real value of this activity and why it is worthwhile. Pardon my bias, but drum corps kids have been and will continue to be something incredibly special. Of anything we may have "lost" along the way, this is the thing that is sacred.
  7. 40 points
    In 2007 I shot a jerky, hand-held, 1-minute video clip, zoomed-in, of my stepson marching in Madison Scouts at the Lisle, IL show. That clip has been on YOUTUBE since 2007. About 60 views after all these years. Today, YOUTUBE sent me a NAUGHTYGRAM informing me that my video was removed at the request of DCI for copyright violation, and basically putting me on notice. Wow. Really? DCI: I hate what you have become.
  8. 40 points
    Any year that has drum corps is going to be a great season.
  9. 39 points
    This is certainly an interesting discussion and will be exciting to see where DCI stands after this weekend. Here is an official response from The Troopers organization that was forwarded to me last night. I wonder how this letter will impact any voting for this weekend... 1/23/13 The following is the Troopers Board of Directors' response to the 1/9/13 e-mail letter from the Directors of the "7", titled "re: Drum Corps International and the Future." As the leadership of a founding member of Drum Corps International, one of the very few who initiated the effort to create an independent, viable structure that would allow American Drum & Bugle Corps to thrive, we are greatly saddened by the current divisive state that exists within our activity. Our founder has been oft-quoted as saying "We are the show." The "we" to which he referred was not the Troopers, but to the drum corps of the era. DCI was created as a collective, an organization to work solely in the interest of American Drum & Bugle Corps. We, the leaders of the youth whom we serve, are responsible for maintaining that collective spirit. Therefore, in the name of that spirit, we firmly reject the claims and requests contained in this letter. We believe the claim that the current "tragic" economic realities of operating a drum corps was somehow "inevitable" and out of DCI's control is disingenuous. Obviously, many of the "7" have been responsible for it to a significant degree as they've advocated changes that have made competing more and more expensive while working to maintain a status quo where revenue is concentrated at the top. Equally disingenuous is the claim that the decline of open class corps is a "product of economic times." Times are clearly difficult as we all know too well, but we see this argument as a red herring. The decline is due to a failure of stewardship over the activity as a whole, a failure aided and abetted by the philosophy espoused by the "7", that has funneled the resources to the "haves" while ignoring the need to build capacity at all levels, and has indulged the whims of a few influential corps directors, preventing any real sense of community and mutual ownership of the activity, driving up expenses, and leaving corps without the skills and means to survive the tough economic times. While the "7" seem resigned to, if not even proud of it, we are not content with a situation in which there is a large disparity in "fiscal and organizational abilities." We believe true stewardship demands that resources should be allocated in a way that lifts the level of these capabilities throughout all strata of the activity. Similarly, we disagree with the argument that the governance of the activity should be exclusively in the hands of corps directors. In addition to representation from competing organizations, the governing organization needs to include voices that have demonstrated excellence in nonprofit management and who are motivated solely by a passion for keeping the activity alive and free from the pressure to advance the interests of individual drum corps. Competitive success is simply not the same thing as organizational capability. We are predominantly nonprofit organizations and the nonprofit world is a precise industry with benchmarks and best practices of organizational competence that have nothing to do with scoring well in a stadium. As an example of this, we believe board representation must be gained in legitimate fashion in a manner that is fair to all. Even though the initial DCI board was determined by competitive placement, the leadership of those very finalist corps, which included members of the "7", agreed to change the board to be an elected body. It was a selfless act on behalf of the collective that they easily could have refused to do in the interest of protecting their individual power. The current situation, where none of the "7" are represented on the board is due in no small part to their own deliberate non-participation in the electoral process that those twelve similarly situated drum corps established many years ago, and that we have all agreed to over time. Ultimately, if the "7" truly have some valid claim to superior qualifications, organizational ability and vision, we feel it is incumbent on them to act like it. This means running for election, honoring and following procedures outlined in current bylaws, ending petty bickering, refraining from issuing ultimatums, and participating in the process. To summarize, the Troopers' Board of Directors stands by the efforts of the greater drum corps community to bring stewardship, fairness and parity to the activity, as opposed to the self-serving and divisive demands of the "7". We reject the tactics currently employed by this group, its disregard for due process and parliamentary procedure, its lack of respect for duly established organizational bylaws, its penchant for resorting to disrespectful and aggressive behavior at the expense of mature and mutually respectful deliberation, its lack of professionalism and all of its attempts to undermine the unity of the activity. We are heavily and wholeheartedly invested with our colleagues in governing in a way that will strengthen and grow the activity as a whole and at all levels, including the organizations represented in the January 9 letter, not diminish it as the very name the "7" seems to endorse. To this end, we applaud the recent proposal to create a regular opportunity for board members of DCI member corps to meet, engage in mutual problem solving and share best practices to better serve the activity and the respective members as a whole. It is thanks to the collective of volunteer board members in each of these organizations, who truly bear the fiduciary responsibility for this activity, that all of our organizations are able to put "...the rubber to the road," and it would only serve to strengthen our organizations by allowing the free exchange of ideas between those bases. By tapping into this broad and diverse experience, we are confident that we will soon see an age where our activity will be united once again as a collective, and that the numbers of organizations, experiences, and opportunities for young musicians involved with DCI will flourish and grow. Respectfully, The Troopers Board of Directors Milward Simpson, President
  10. 37 points
    I had a conversation with Madison Scouts' Executive Director Chris Komnick and corps arranger Robert W. Smith and found out something that may be of interest to many fans. As fans who have been reading DCP know all too well, music licensing seems like an increasingly annoying problem for corps.This came to a head last season when Madison Scouts’ popular closer, “Empire State of Mind” had to be blacked out on the DCI DVDs because the corps couldn’t secure mechanical licensing rights. (More about what really happened later.) DCI corps aren’t the only entities running into music licensing difficulties. Last winter, Burger King had to pull a commercial with singer Mary J. Blige over rights and earlier in the year, former presidential candidate Newt Gingrich was sued by the owner of the “Rocky III” theme song, “Eye of the Tiger,” for using the work without permission at campaign rallies. A brief history of how we got to where we are The way music is produced has changed dramatically since digital media has taken over. Madison Scouts’ arranger Robert W. Smith states, “The record companies lost the keys to the kingdom as soon as the first CD was pressed. It wasn’t all that long ago that Napster and other file sharing services were under attack for causing record companies to lose a lot of money.” But now, according to Smith, the music companies are “almost giving away the music,” making their money through concerts and merchandising…even receiving a share of the beverages sold at concerts. Much more so than before, licensing is a cash cow for the holders of music copyrights. In DCI’s earlier years, corps didn’t have to worry about licensing and didn’t pay the statutory rate for mechanical licenses. Corps have gone from barely being a blip on these companies’ radars to becoming very much a part of their income stream. (According to Smith, popular speculation that the move from G bugles to B-flat horns was responsible for increased licensing issues is an unfounded myth.) While corps must receive permission to arrange a piece of music, mechanical licenses are not required for live or audio broadcasts. However, they kick in once a performance is recorded for sale to the public. (Why is it called a “mechanical” license? The name originated from the use of mechanical machines that used to copy the recordings.) Additional problems arise with synchronization licenses, which are required when pre-recorded audio is fixed to a moving visual image…something that occurs in television shows and commercials…and DCI DVDs. Such a license is not required for live performances, which is why those who attended DCI’s “Big, Loud & Live 7” Quarterfinals broadcast were able to enjoy watching Scouts’ “Empire State of Mind” in its entirety. That is where things become more difficult for those requesting a synch license. A publisher has the right to say “no” for whatever reason. Which leads us to… What really happened with “Empire State of Mind” Until now, drum corps fans blamed a variety of sources as the problem for why Madison Scouts couldn’t obtain the synch rights to “Empire State of Mind,” which resulted in the blackout on the DVDs. Rap artist Jay-Z was often blamed for this, as he is the original recording artist. This is still a topic of conversation as the corps has scheduled the piece to be performed as an encore. “In our case,” according to Smith, “State Farm Insurance knew well in advance that on 9/11/11, they were going to put out a nationwide television commercial using ‘Empire State of Mind’ as the central statement, with school kids singing the song at a New York City firehouse. It was in the best interest of the insurance company to obtain exclusivity and they paid a lot of money to get it. If someone else in the popular media had come out using the piece, it would have lessened the impact. “I tried assisting Scouts by using my channels in the publishing industry to get the synch rights, but I kept getting the same answer. When someone turns down a request for a synch license, they just say ‘no’ and that’s it. The reason for our problems became abundantly clear the moment I saw the commercial on September 11, 2011, understanding why utmost confidentiality had to be maintained. Generally, such exclusivity lasts a year and is so expensive because the publisher can’t make money from anyone else during that time.” Madison Scouts Executive Director Chris Komnick recounts, “By the time the publisher gave us the definitive ‘no,’ we were already into May. We made the decision that the music in the live show was more important than the DVD and so we decided not to change the last third of the show. We thought they were telling us ‘no’ because it was such a hot piece of property at the time. It typically isn’t that hard to get such licensing. “We are continuing to pursue the licensing of “Empire State of Mind” with the expectation that the synch rights will eventually be granted. We’re hoping that sometime in the future, we can make available a full recording of our ‘New York Morning’ show in conjunction with DCI.” I hope this clears up some of the confusion I've read on DCP regarding this increasingly important issue.
  11. 37 points
    Sorry, but your post is too sanctimonious. I personally have never booed, but I have shaken my head on a number of occasions. An entire generation (I'm talking to you Millennials) was brought up under a sissy system that everyone was a winner: "C'mon. Don't say bad things about nobody...everyone tried the same and had fun, so let's give everyone a trophy." This is a competitive activity comprised of young adults--many of whom are going to be entering "real life" soon enough and they're learning some of the most valuable life lessons right now. They are NOT all winners and drum corps is a competitive activity with scores and winners and losers and stuff. They have staff who yell at them and make them run laps. Expectations are put on them and guys in green shirts and khaki pants tell them they did good or did bad. Booing isn't the end of the world and it's not gonna hurt these young people. If it does, then they need to be booed more. Welcome to life. Sorry for sounding crotchety, but this "everyone's a winner and don't hurt their feelings" sentiment is for the birds.
  12. 36 points
  13. 34 points
    The IRS form 990 is the tax return for non-profit organizations. As such, all of the financial data for DCI and each corps is exposed for all to see; 990's are open for public view because of the filer's tax exempt status. That is, if you can figure out how to read them because the forms are notoriously hard to read and decipher, especially for non-financial people. The financial stability of DCI and the individual corps is a hot topic in DCP-land. My hope is to present the finacial data here in little bites, giving plenty of room for discussion, in hopes that we all can become more familiar with the facts about the financial health of the activity. My method for studying the 990's is to analyze the trends over as many years as are available. Typically, there are three years of 990 data available and my goal is to spot the trends over time, subject to the 990 forms available. A word of caution: nothing that we can present here is a full explanation of the background story of the numbers; complete explanations are not part of the forms even though notes are an integral part of the form filings. It's just raw data - income, expenses, assets, and liablilites - it doesn't explain how the numbers came to be. As a result there will be a natural tendency to speculate on the reasons for the numbers - something that DCP'ers are very good at. But the real back story can only be explained by the financial people at DCI or the individual corps. Still, I've always believed that numbers can tell a story. My hope is that, by presenting the numbers here, that story will reveal itself to all of us. Disclaimer: While I work in the financial industry, this thread is not official in any capacity, and does not reflect the position or opinion of DCI, any corps, or my employer. All data comes directly from Form 990's found on www.guidestar.com, is presumed to be accurate but is not guaranteed to be so. All opinions expressed are mine, personally, are not audited, and are only based upon my amateur interpretation of the 990 forms. With all that in mind, here we go! Fun with numbers! EDIT: For those who may wish to skip to their favorite corps, I've added the following index of post numbers. First the corps name and then the post number where their 990 discussion begins: INDEX OF CORPS 990's (Name: Post number) DCI: 2 YEA!: 134 Blue Devils: 204 UPDATED 2011 NUMBERS ARE IN RED Cavaliers: 286 Carolina Crown: 367 Phantom Regiment: 437 Santa Clara Vanguard: 469 The Bluecoats: 525 Boston Crusaders: 576 Blue Knights: 603 Madison Scouts: 647 Blue Stars: 669 Spirit of Atlanta: Not available Consolidated Summary of Top-11 plus DCI: 724 The Glassmen: 739 The Troopers: 767 The Academy: 808 The Colts: 824 The Crossmen: 845 Pacific Crest: 869 The Mandarins: 891 The Cascades: 917 Jersey Surf: 957 Pioneer: 969 Consolidate Summary of All Corps: 994
  14. 34 points
    This is simply a place to put drum corps video clips that give you goosebumps (or do you say goose pimples?...because I don't). Anyhow, I"m seriously expecting my plus button to get hit many times for this one:
  15. 34 points
  16. 33 points
    To the staff and members of the Santa Clara Vanguard: Yes -- it's a gushing, wild-eyed fan letter! Thank you for being THAT corps! THAT corps that I tell my friends about when they say "What's a drum corps?" Percussion is SOOoooo sweet... colorguard hit every emotional milepost... the brass was gorgeous... and the show... (VAN - guard on the other side of the field!) I am a fan of Les Miserables on the stage. The movie? Not so much. I had my doubts. I had my fears. And... When the entire corps stood behind the backdrops... and the guard took over the field alone... I had to wipe away the tears... emotional at the beauty and expression I was witnessing. You were THAT corps that I remembered the Vanguard always being from the very best years. I know you may not be where you want to be yet competitively... but you became my favorite corps of the year in San Antonio. Pure joy! Thank you for being THAT corps again! Chuck Naffier Drum Corps Fan
  17. 32 points
  18. 32 points
    Getting a new look might even help launch the corps into the top-three.
  19. 30 points
    Dear DCI, I spent the last 10 years of my life, religiously following drum corps, and had the opportunity to march for a couple (Blue Stars 2005, Minnesota Brass 2010). Over those 10 years there have been experiences that I’ll never give up, people who I’ll never forget, traditions and philosophies that I practiced in the military, and even now going through college. In my opinion, DCI has lost its roots to the history of Drum Corps. In 2005 I auditioned for the Cavaliers, and the first thing that Jeff Fiedler said to us was “If you’re here to win, then you don’t belong here. Either go two thousand miles west, or a thousand miles east to do that.” These were words that as a rookie, I had no idea why anyone would not strive to win. Later on in the month, Chad Armbruster called me up, and said we have a spot open if you want it. Thinking that I’m planning on joining the military, this may be my only chance to join a corps, so I took it. For the first half of the season, I thought, “if I don’t join the military after this season, then I’m going to go back to the Cavaliers”; I even strived to get better at the Cavalier style of marching, for practice. It wasn’t till mid season, for our home show, that we added the Star of David to the drill, and premiered it for our alumni, and families. There wasn’t a single person in their seat when we hit that chart, people were crying, the crowd erupted, and cheered till they couldn’t talk anymore; even now, just recalling this instance brings a tear to my eye. When this happened I started to realize, that maybe it isn’t about the scores, maybe it’s not about me but that it’s really about being with the people around me, the alumni, those people we were performing for. From then on, it was all about those around me, not going back to the Cavaliers or a division one championship contender. Shortly after, I went to the doctor to find out that I had gotten bronchitis, which was really close to pneumonia; I refused to quit, even for a day to get better, I kept going no matter how bad it got. It even earned me the nickname ‘coughdrop’. After a lot of dead grass, even more sunburns, and finally getting to finals; when we were getting ready to march on to the field, I heard someone say “These guys deserve to win everything”, sitting there at the end of the show, watching possibly the longest standing ovation ever, and seeing people all around us crying as we marched off. During retreat, all I could think about, was Fielder was right; it’s not about winning, not about the scores, not even about us, it’s the fans, those people who go to one or as many live shows as possible, that without, we wouldn’t exists, I wouldn’t have gotten the experience, and made the friends that I have. Now I’m not going to sit here and talk to you about G vs Bb’s, or amps, voiceovers, synths, or even an old school having only a 50 yard line with marching pit members. Because even with the changes along the way, the appeal to the audience has stayed there. From the 88 scouts playing Malaguena, to the 95 Cavaliers playing The Planets, to Phantom 89, 96, 03, 08, even now bringing back Nessun Dorma and making who knows how many people cry. I even enjoyed Jersey Surf’s ‘amped’ phone call “about packing enough underwear” while having “a good band show, with his drum corps”. Some corps still uphold the integrity of how important the audience is, and ignores the scores. Now I’m sure you already know one of the corps I’m referencing to, and before I talk about them, I just want to say that I respect the corps, and members, and all the hard work they have been through to put a show on the field. But when I was watching quarterfinals in the theaters, they announced the future corps coming up after intermission, and for each corps, people cheered, and it louder each time, until the Blue Devils. You could hear a pin drop, when they announced the Blue Devils, even when it came time for the performance. The focus was not there, no one cared at this point of time, why not? Why are the fans, the audience not interested? I guess the better question is, why are corps being rewarded for a technical show that takes all interest away from the fans? I don’t know one person that I’ve ever marched with, that would willingly stay in a corps to win a title, on the basis of losing the audience. I have a friend, who I served with in the Navy; he left the Cadets after 2005 when they did it, refused to march for them again. This activity is no longer about the audience, and I appreciate the corps who stick with it, but it seems that in order to win, the corps have to break their bonds with the fans. As I said before, I only marched one year of junior corps, then I joined the military. I spent my age out year (season), on deployment off the coast of Somalia doing piracy operations. The only thing that kept me sane, was looking at the scores every night. Finally seeing a corps that deserved to win more than once, rise to the top, made the deployment that much more enjoyable. When I got out of the military, I joined Minnesota Brass; just remembering the kind of respect that they gave the Blue Stars in 2005, with loaning out their horns to us, and sharing the field during an encore. In Minnesota Brass, I saw even more respect between the corps, in 2011, when there was a marriage proposal with a couple of MBI members, the Govenaires stayed behind and played for them. Another instance was when the Buccaneers stayed off to the side, instead of marching off, to cheer on Minnesota Brass, for the championship run. They cheered for a corps that was potentially going to end their 6 year championship streak. The fans stayed behind to watch a cancelled encore, after retreat. I saw a corps member in a wheelchair, and they pushed her around the field to make sure she was involved in the show. In 2005, we were told to have respect for all corps, and it doesn’t matter if they were in front or behind you in standings. The fans have respect back in DCA, and they want to be there and cheer for everyone, especially since the shows are designed around them being entertained, in DCI, I think they’ve lost that respect. With all things considered, I think I’m going to have to part ways with DCI, maybe temporarily, maybe permanent, depending on how things turn out in the future. I will always remember what my time in a junior corps taught me, the life values, or when they refused to teach me the definition of ‘easy’, ‘quitting’, and ‘failure’, and the new family that I made, and will never forget. I will stick with DCA, and will return to March again for Minnesota Brass, and will enjoy the comradery between the corps, members, and fans. I feel that DCA will never lose its history of playing for the audience and alumni, more than technicality.
  20. 30 points
    I just called an official on your behalf and you have nothing to worry about. Here's what you need to do. Go to the ticket office with a photo ID and the ticket you've still got. Tell them what happened and that you don't remember if the lost ticket is one number before or one number after the ticket you've still got. They can look up your purchase on the computer and establish which ticket is missing. They will then give you a ticket location form that you will use to get into the stadium and also use to present to someone in case they find your ticket and attempt to use it for free admission. And if someone does do that to you once you're there, (or if they get there first), alert an usher. I hope you now feel better about what happened.
  21. 30 points
    Hi All, A couple of days ago I posted a little something about how I loved the Blue Devils. I still do. But much in the same way I love peanut butter & chocolate malts, and really dark oatmeal stouts, I wouldn't make all my guests in my home eat or drink it. There is room for variety. There just is. The opening 2 acts in 1988 at DCI Finals were Velvet Knights putting Pee Wee Herman into a boiling pot in a tribal dance, and Suncoast Sound showing us anger and an atomic blast nightmare. The Bridgemen were hated when they went "bananas" on us after switching to the long coats, after years of being St. Andrews' with the cadet style uniforms. "That's not drum corps!" "You can't see their feet!" "They're not marching!" "Look at their stick heights!" "Disgraceful colorguard!".... I remember all that very clearly. 2012 Blue Devils. You're awesome!! Don't stop being awesome!! But... I'm not telling anyone else they have to like it. Try the cookie dough shake. . . and have a Miller Lite. It's all good. peace and love, Chuck Naffier
  22. 30 points
    As Revolution's Drill Writer, I can tell you we have approximately 4 Brass spots available, they are in the trumpet and mello sections. We do already have a tentative Baritone member for our last low brass hole, but we're happy to talk to any low brass musicians to discuss other opportunities as well. (Trumpets are a lot lighter than tubas) ;) We have spoken with several Teal Members directly, and are working hard to ensure they get to complete their season either with our ensemble or someone else's. There is also discussion about sending a van or some sort of transport to bring a group of members so they don't have to feel like a "loner" coming in to the new group. I told the director this morning that I will re-write the drill if I have to. We're already 90% full of our original instrumentation of 32Br/20G/14Bat/10P... GIVE ME A REASON TO WRITE MORE DOTS!!!! But if you're a Teal Sound or Racine Scouts member, we would be happy to welcome you with open arms. Please don't hesitate to contact either myself, or the corps administration directly I'm also the guy working on building the new website, so please be kind about it's sparse nature at this stage of the game. Teaching the members is higher on the priority list ;) Come finish your summer!! Michael "Big Mack" McGlothlin Visual Designer Revolution Drum and Bugle Corps
  23. 29 points
    if you aren't hearing melodies in this year's Devils show, you are probably deaf. They are there, and they are fantastic. Also, there's a ton of jazz in the show as well. Two pieces the corps has tackled before.
  24. 29 points
    Please do not speak for most fans.
  25. 29 points
    Pride in a corps means a lot. Hope in a corps' future means a lot. The excitement of witnessing a productive camp means a lot. The eagerness of wanting to share one's pride and hope with others means a lot. Putting down others because they're excited for their corps is what means nothing. Tis the season to be jolly.
This leaderboard is set to Chicago/GMT-06:00