Maneuvah

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About Maneuvah

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  1. Not gonna work, based on the experience of most years since 2000. The design staff SHOULD NOT STUDY WHAT THE BLUECOATS, CROWN AND BD ARE DOING - and yes I'm shouting - if they want to be the Cadets. The Cadets design team should formally solicit ideas from the scores and scores of alumni, fans, and future MMs with the creativity to offer coherent design concepts and ideas. Arguably, no organization has that kind of engaged alumni and fans. Evidence: the Cadets thread here on DCP every single year is much larger than any other corps. Sure, some of that's from critics, but BD has at least
  2. Narrative, meaning, and emotion sell. Abstraction - especially abstraction from music that was written for the most profound narrative, meaning, and emotion - will make everyone feel flat. Because the show concept itself was flat. If the Cadets had a great show concept this year, even with their hard run-and-gun drill, etc., they not only would have medaled, they would have likely gotten gold.
  3. Interesting. The Cadets don't even make most people's top 5 so far. Considering that they marched and played better than anyone, that means the judges were right that the GE was the major weakness in the show, and that is about show concept and show design. Why, oh why, can't their design team get the message that most years what they do regarding show concept development is broken? All design decisions stem from the show concept.
  4. Vets should go to the organization at which they will learn the most, have the best experience, be able to contribute creatively rather than simply be ordered around, and in all, where they can achieve their highest potential. Carpe diem. 21 comes all too quickly.
  5. What "I wish" is that BD would perform shows that were as demanding as Crown, Coats, or especially Cadets, and then see who actually is better. BD winning the Sanford is laughable, for example. Cadets book was harder, and the drill/movement demands on the Cadets drumline was arguably twice that of the Devils. Yes, BD's show concept was great, and the staged design very clever. Much more coherent and impactful than the Cadets. But to pretend that BD's show isn't aimed at the judges by deftly managing risk and playing to the sheets every single year is willful ignorance. They win becau
  6. No. Sorry. The Cavaliers starting in 2000 became the masters of sleight-of-hand drill: all the most difficult playing is done when not moving, or moving very little, or only part of the corps that is playing the difficult music is at a standstill or mostly at a standstill. Most all of the really difficult drill the Cavies ever did was while no one was playing. The judges and fans ate it up. I just found it to be risk management, rather than truly trying something difficult. What is always going to be the hardest is simultaneous demand. The Cadets have had that in spaces since forever.
  7. And by 50+ people who can help with design input and feedback, I mean volunteers. People who love the Cadets and have loved them for decades, and who want them to succeed. No one needs to be applying for a job. How could more voices in the ideation and decision process not help? How could open RFPs and idea evaluation and test marketing not help? Answer: it obviously would because that exact method of innovation has helped many thousands of organizations across the country over the last couple decades. And it would help the Cadets too. Period.
  8. Wrong about me, as I've loved the Cadets since the mid-80s, and not only left on good terms, but have donated over the years. I actually agree with everything you said regarding the MMs performance. The problem was GE more than anything else, and that's due to show design. If 2015 were just one example of bad show concepts in the last 10-15 years from this Cadets design team, well, then, no problem. It's been more consistently bad design decisions that have torpedoed shows, and wasted top-notch talent, as the MMs have been forced to outperform more or less incompetent show design (like a
  9. Hop needs to use Open Innovation for show design, and to cede more creative control to others if the Cadets are not going to continue to lose ground to younger, and now from a creative standpoint, better organizations like Coats and Crown.
  10. Spot on. An abstract concept unconnected to the music necessitated a show design that relied too much on technical aspects and technique, rather than communicating meaning or narrative. Terrible, terrible decision to choose the "10" rather than the "Shostakovich".
  11. Congrats to the MMs for being, to my ears, the best hornline, drumline, and marchers in DCI this year. No one was close. The drumline deserved the Sanford, but that trophy doesn't take into account the physical demands of the drill placed upon the line. BD's percussion didn't have half of the drill demand as was placed on Cadets' line. Sorry, BD, but that's the objective truth if you watch the video. The quality of the performers of Cadets 2015 will go down as one of the very best, even better than a few years that did win gold, in my opinion. They really did outperform the show design b
  12. Hop needs to run the organization and inspire the kids. Hop shouldn't play such a major role in show design. Hop isn't an artist. He's a former percussionist. He's a brilliant manager of an organization. Every success the Cadets have had since 1982 has been to his credit. But also, every inept or downright awful show design that wasted tremendous MM talent has also been his responsibility. My guess: he's muddling up the show design process, people with more design and artistic talent don't feel the kind of freedom to create, and he's holding on too hard, like Charleton Heston. Let g
  13. Yes, one of the most demanding shows ever. And one of the best performed too. Too bad that the show concept didn't allow the kind of aesthetic unity and meaning and emotion needed for the GE that this amazingly talented group of MMs deserved. "Me and the design team" will be back next year with a great show design? Because Cadets' show design is all about ME, is exactly the reason this group of kids didn't win gold. The Cadets have been passed by Crown and Bluecoats in the last five years. They got crushed by Bluecoats actually. Demand or no demand, the Coats had much better show design
  14. And by fail, I don't mean the MMs. The Cadets and all the 12 corps tonight are executing amazingly well. The Cadets marching and playing is non pareil. Their major weakness isn't the color guard. It's what the guard was told to do. Most of all, it's the fact that the show concept doesn't communicate enough "general effect" emotionally or aesthetically when compared to the shows that will medal, which are more coherent, emotional, narrative, and thus impactful. But the point of this recommendation isn't to harp on Cadets. The point is to challenge corps design teams to do better by empow