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troon88

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Posts posted by troon88

  1. Really want to see a Stomp-ish type battery - each player has a unique drummable object (which can be literally anything EXCEPT drums).

     

    I also want to hear bizzaro legal brass instruments no one but say, medieval musicologists have ever heard of. (I'm not one, but there's gotta be some weird stuff out there...right??)

  2. 1. Down Side Up. Busted out of the 2-D box in wild style and brought a whole new audio menagerie to the game. I mean, really...how can this show NOT get your adrenaline going??

    2. Angels & Demons. Simple idea, executed to perfection. I'm sad that with the current direction of the activity I may never be saying that about a championship show ever again.

    3. Ghostlight. A moody, multi-faceted circus of musical and visual delight.

    4. Felliniesque. Hard to find any faults with this one. Lord knows the judges barely could.

    5. E = MCOne of the most dramatic opening statements I've ever heard. The Phillip Glass vocals added the perfect texture over the gravitas of Thus Spoke Z.

     

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  3. I'm not so much bored with Avant Garde shows as I am frustrated with designers thinking their notions (whether that's an abstract theme, a more concrete one, a fairly straightforward story, or my personal pet peeve, something that looks vaguely like a story of some kind) communicate far more clearly on the field than they actually do. Too often it feels like I'm watching a straight up contest of drum corps concept designers and how the judges happen to feel about their concepts rather than a competition of marching musicians and their performance qualities.

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  4. SCV 2009. You had never met a bigger "If I hear ANOTHER marching group of any kind play 'Appalachian Spring' ONE MORE DANG TIME, I am going to scream!!" hater than myself. But SCV won me over totally and completely. I feel like that show helped me understand (i.e. "get") the source material in an entirely different way.  The last two minutes still gives me chills.

    • Like 3
  5. 11 hours ago, LyricalCoder said:

    Everyone: Tone down some of the body movement. It's gratuitous and can (and often does) distract from some really great musical moments. Sometimes less is more. If it must be done, then it's time to evolve to something other than the inward knee bends and leaning your torso one way or the other. Make it matter. Movement for the sake of movement is silly.

     

    This right here. I feel like corps have literally run out of possible body motions available to them from the waist down while holding horns to their mouths.  This isn't a request to turn back the clock; I get the aesthetic has changed from the days when horn lines did nothing but march, but if it doesn't complement the music or otherwise add something to communicate your theme, emotional state, story, or concept to the audience, why do it?

    • Like 1
  6. I'm not going to pretend this is a particularly new insight (or new occurrence,) but after finally seeing their show on video...geez...BD is bringing a nuke to a knife fight once again. Regardless of where they end up score wise once they're head-to-head with everyone, the performance level they're at already is just unreal. From the design side too, I haven't always loved their shows as much as the judges have the past 10ish years or so, but this one...this one I love!!

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  7.  

    4 hours ago, Incognito365 said:

    Those uniforms were horrible, and I'm not sorry. :guinesssmilie:



    Oh, have a heart! 😋



    (Completely agree. As far as I'm concerned, we should just top off the past five years or so by making every corps wear a white t-shirt, jeans, and a pseudo-Roman helmet and call it a day.)

    • Like 1
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