GBugler

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GBugler last won the day on December 27 2019

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About GBugler

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  1. <cough> <cough> <sniff> <sniff> <puke> <squirt>
  2. According to this site, the length of time varies per applicant/application. https://charitynetusa.com/how-long-does-it-take-for-my-501c3-to-be-approved/
  3. Kevin is President Emeritus of the BOD.
  4. Paula was the top band clinician at USC's annual band clinic in the late 1980's and I had the pleasure of performing with her ensemble. She's something else, alright.
  5. 100% wrong, and that would be idiocy. I assume that any kid who wanted the DCI brass experience would take the time required to learn to properly play a brass instrument. It's not the blood-letting, hand-wringing sacrifice you are making it out to be. It just is not.
  6. I assume you're talking about a drum corps playing top tier wind band lit? That is, and always has been, the responsibility of the arranger. It is their job to bring those sonorities out of the all-brass format. Adding woodwinds just makes it wind band, killing the unique nature of the all brass ensemble. My experience, yes. And I'm sure that I'm not alone in that experience. By a lot.
  7. I assume you are a music educator? If so, you should know the answers to these questions. Being versatile is an asset, not a nightmare as you so dramatically put it. You are simply trying to use hyperbole to strengthen some kind of case for discrimination against woodwind players by Drum Corps International. I'm a bassoonist. I also marched DCI. I won I&E in a brass octet in 1993. I played Carnegie Hall under the baton of H. Robert Reynolds in 1999. I suspect that I am not a unicorn in this regard, as far as woodwinds who have enjoyed learning to properly play a brass instrument without having their technique suffer as a consequence. Band directors that I know (and I know tons) value versatility. It is the hallmark of a quality wind player. You make it sound like a #### disease. Your premise in this regard is flawed and it has been flawed since your first post on the subject.
  8. Hyperbolic nonsense. Utter fantasy. It is no more a nightmare to learn a brass instrument as a woodwind player than it is to initially learn a woodwind instrument. This is a non-argument. Stop it.
  9. I am a woodwind player. I was a woodwind player in 1989 also, when I decided to audition for a brand new drum and bugle corps based in Charlotte. Some time prior to my audition, I took the time to learn how to play a brass instrument so that I would be able to seamlessly integrate into a marching brass ensemble. I did not demand that the ensemble conform to my chosen woodwind instrument, nor was I offended that the ensemble did not offer me an opportunity to play a woodwind. I wanted a new experience, and because I chose to learn instead of trying to change an established performance format by force, I was ultimately rewarded. Any kid who plays a woodwind and feels "left out" by an all brass ensemble should simply pick up a brass instrument and learn it. It isn't rocket science, nor has it ever been. When I say "learn it," I mean learn to play it with good tone quality and proper articulation. These are choices. If one is hypothetically as "talented" a musician as your premise states, there will be no real problems in doing this. If, after taking the time to learn said brass instrument, one is still "cut" by drum corps B, then it just wasn't meant to be. Do you believe that every talented brass player who marched Americanos could make it into the Blue Devils, or the Cavaliers, or Carolina Crown? Of course not! This ridiculous argument that "everyone" should get to enjoy what we all enjoyed (by marching) is headed down the road of participation trophies and the like. There are absolutely no guarantees that every talented musician will be able to march in a drum corps and there never have been. And there never should be.
  10. Someone at those early meetings (who shall remain nameless) also (semi-jokingly) suggested the name "The Charlotteans." Glad that one didn't take.