denverjohn

George had Coz spend a fortune re-tuning those steel drums several times during the season.

I have experienced far more goosebumps in "the Lot" than on the field of late. "The lot is not a bot". Battery without the pit is a real treat. Brass without electronic reinforcement is what addicted me to this activity some 50 some odd years ago. I find the low-end synth as akin to what gangbangers generate driving around my neighborhood at 3 a.m. to demonstrate their manliness. The sound is personally grating to me. The high-end amplification for soloists sounds "fake" and I resent having to visually search the field or the pit in order to locate the geographical location of said performer before the passage ends.

Hi = Hello High = a level, above, etc. High Scenery: A reference to the former captions that used to affect scoring outcomes in drum corps. (High horns, High drums, High M&M, High GE, etc.) Scoresheets and the analysis criteria have been rewritten over the years to reward a very different product including much that is not performer generated. (pre-recorded singing, pre-recorded narration, professional painting and prop design, sound levels manipulated by adults behind the podium, etc.) Sarcasm and tongue-in-cheek references are not "insults". Buck-up there, snowflake.

I have seen Madison on line this year and I love the more traditional show! Too bad I won't get to see it in the movie theater (except for a snippet). Next year they will no longer be the Madison Scouts (IMO). I really enjoy Madison and Troopers for forgoing the excesses of recent years and going for more precision marching over scenery and a checklist of narration, props, trombones, and bug-squashing. It looks like Bluecoats will get the Gold this year. They definitely have earned the 'High Scenery" trophy. (nod to Roller Coaster Tycoon).

We smoked a few cigarettes and called it good.

Regarding props: I am bored by props that are simply scenery or are only used for one effect. I am thrilled when props are re-positioned and/or repurposed to create multiple effects. Examples of note: SCV Les Mis: Stationary flats hid the hornline for "Bring Him Home" and backfield effect. They allowed for the corps/drumline reintroduction. They created the various red/white/blue silk pops. SCV: Ouroboros: Those were moved to create a multitude of effects, colors, staging, etc. constantly. IMO the best usage of a single design ever. Cadets 12/25: They let me down because they didn't need a painting of a church steeple. They could have simply tilted the "snow-sled" hills on their sides and constructed a gorgeous all-white "Star of Bethlehem".

It's all pseudo-intellectual smoke and mirrors these days. "the aesthetic"? "the intellectual"?, "the emotional'? All according to whom? Still very subjective. Most adjudicators just learn the required "buzz-words" and use numbers management to justify their rankings. (multi-usage of planes, tension & release, etc., etc.)

DCI = WGI = SJW

Female snares I remember early on but can't recall names. Early 1960s: Bellmore Thunderstreaks. ( help ironlips) 1969, 1970 : Blue Rock

I did! Dubinsky and I with Bergenfield rookies managed 6th in percussion in Whitewater with no percussion staff on tour. (Fred was with SCV all summer). '73 looked like chaos so I aged-out with a Racine Kilties experience.

Les Miserables. Best multiple effects from stationary props. Sequential storyline. No dead spots. MELLOS.

Then I'm in!

Blue Devils: "Tommy"

Overly pretentious obtuse social justice show themes being developed in order to pontificate to the underclass sitting in the stands buying the tickets that pay the costs for this activity.

Have the Boston Crusaders won any pre-DCI titles back in the day? American Legion Nationals?, VFW Nationals?, World Open?, CYO Nationals? What was their highest placement? I'm thinking 3rd or 4th in some years.