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Phantom1701

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Posts posted by Phantom1701

  1. 26 minutes ago, regimentlvr said:

    I think tonight’s run can beat the mandarins. I am sitting on the 40 and the mandarins felt flat in comparison. Phantom sounded amazing tonight. Wow 

    I tend to agree.  PR was sharp beginning to end.  Great energy.


    Mandarins started out flat.  To their credit though, it got better as it went along. 

    Never know how the judges will see things, but definitely felt like PR was at least a couple of tenths above Cadets and Mandarins tonight.  Guess we'll see.

  2. It definitely feels like PR has the most inconsistent reads at the moment.  It could be down to the performances and what is happening on the field each night.  From what I've seen so far it feels like their score can catch up to the corps in front of them once they are able to clean and work on some of the GE points.  Almost feels like they are trying to do too much and not focusing on key moments.  If you look at the tops groups, aside from strong performers, those shows really come down to key moments and cohesive story. 

     

  3. 16 hours ago, RickCogley said:

    This particular year, yeah. I don't post all that much, but this situation compelled me to say something. Anyway, I got it off my chest. Time to let it go.

    And you are qualified to say this because you have an equal amount of musical knowledge and experience as JP?  Yeah, thought not.  😉

    It's all good.  Personally I think SCV's pit has put them over the top on more than one occasion.  Just as Rennick's pit (or his wife's) did in 2010.  Battery wise.....there are harder books out there.  Clean, absolutely, but content.....meh.  Go listen to Cadets 2016 or even Boston's battery this year.  I would put either of those over SCV, yet SCV took the Sanford.  So it's pit+battery, not just one or the other.

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  4. Just go and listen to any of JP's tapes.  His musical knowledge and acumen is in a different stratosphere.   He can pick out the 4th inner beat of measure 5 in a 12 measure passage.  His ear is unreal.

    Anyway, total jealously of his skills aside (answering EXITMUSIC's question) the actual number a judge puts down is of course completely subjective.  It's not like the judges remember exactly what they saw back in minute 3 of a 12 minute show, but it's an overall impression of a performance at the end.  

    General effect is one of the most vague categories IMO since it doesn't look at just one thing.  It's basically if the whole production "works" according to the requirements on the sheets.  That has little, if nothing to do with what we as fans think of the "effectiveness" of a show.  Most of the time we are just left to guess.

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  5. 7 minutes ago, MikeRapp said:

    As a designer I have been there. It is awful. To have tried so hard to be great and to fail and to have other people who wholly trusted you, who have everything to lose, have to live out your so well meaning mistakes...it is truly hell on earth.

    Life is bigger than the next three weeks, kids. Always do your best regardless of your circumstances. The rest can take care of itself.

    I can imagine how hard that must have been.  Sometimes things that seem so obvious to the staff just doesn't translate to the judges or audience.  It happens. 

    Really sad to see both Cadets and PR struggling this year.  Kudos to the other corps that have passed them, but just a shame from a strictly historical and emotional standpoint to see these amazing corps struggle.  If they don't get things turned around, eventually the talent will just give up and go elsewhere.   As much as kids may just want to march, they would also like a chance at a medal.  It's human nature.

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  6. It certainly does feel like it is heading in that direction, yes.   I just hate seeing a DCI institutional corps getting squeezed out because they didn't choose to play the games a other corps  have.   An off year here or there, fine, but Madison has never fully recovered and maybe never will.  Short of a Bill Cook type of monetary intervention that can buy and retain a top staff for years to come. 

  7. 17 hours ago, PRomoter said:

    If I could point to one opportunity, it would be for them to stop filling so many staff slots with their own young alumni. It’s hard to grow and mature when much of the leadership’s experience is confined to historical PR. That formula is safe and comfortable, but safety and nostalgia are not rewarded in competitive activities.

     

    All that said, I sure do love Phantom. I’d walk away from the activity before I could support a different corps.

    posted from the DrumScorps app

    I completely agree with this statement.  Kids these days do follow the top staffs to whatever corps they are at and those corps in turn are the ones who are succeeding, competitively.  Hiring from within is great and may pay dividends in the long-term.   Short-term however, it could get rough.  The question is will you stop attracting the top talent in the activity if too many years go by without enough competitive success?

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  8. No, but he has a ring with Regiment in 1996. And he helped put Glassmen on the map from 97-00 (ironically, to be replaced by McNutt).

    Sure, but that was 20 years ago. Don't get me wrong, Lee has a great resume and reputation in the activity. So it's not as though he would be a bad hire by any means. Just saying that Cadets might be better off turning to a younger, up and coming writer/caption head that can bring a fresh perspective to the corps. Perhaps even a protege of Rennick or McNutt.

  9. I believe that Show Design even seeps into the Percussion rankings these days now.

    For example, without mentioning any Corps names here, one can go onto youtube and watch some of these listed Drumlines and compare the lines ourselves ( granted, its usually just the snares, tenors, bass ). Some of these drumlines were dragged down a bit by the Show Designs, imo. For example, my ears and eyes tell me that the Cadets had a far better drumline than " 5th " place from watching their line play on youtube. Also, for perspective, just a couple of years back, when the Bluecoats Show Design was not quite as good as this years, their Drumline ( still found there on youtube ) was WAYYY better than they were getting credit for. I personally do not think that this season's Bluecoats percussion line was as good as that of just 2 years ago. ( people here can youtube the 2 Bluecoats lines, and decide for themselves ). Was Academy's Percussion line this season at the same quality levels as that of Crossmen's line ? Hhmmnn.. I don't know about this. But Academy's Show Design might just have elevated their line to swim in these same elevated waters for their Drumline this season as well, imo.

    This exactly. 1000% spot on.

    I think sometimes people assume that judging is a science and that judges evaluate captions in some sort of a vacuum. But the truth is judging is very much an art, and a subjective one at that.

    When I would judge high school bands, I would absolutely reward the smaller groups if I felt they were maximizing their show, whereas most of the other judges waited for the 5A and 6A's before giving out top box scores. But to me each sheet is specific to the group in front of you and they should be rewarded for what they attempting/achieving relative only to themselves. If that is top box worthy, then it is top box worthy, regardless of any other factors.

    DCI on the other hands is very good about lining up the captions close to the order of finish. Yes, there are exceptions, like with the Rennick's were with Phantom (and probably a few more), but for the most part it seems as though your caption scores/placements goes as your GE and overall placement goes.

  10. Incredibly frustrating. Why do you think it's headed in that direction?

    Any number of things.

    -Certainly judges bring their own preferences and biases to each competition. If you are doing things that they do at their own schools, corps or indoor groups, then they are more likely to give you a favorable score.

    -The influence of WGI cannot be overlooked here.

    -Greater emphasis on GE, story-telling, and visuals.as opposed to the music itself. (again, see point 2)

    -Judges like clean. To them clean > demand.

    -Due to the fact that the GE and visual packages are more important to judges, they will forgive reduced wind/percussion contributions as they know from their own experience that there isn't enough rehearsal time to do it all. So something has to give and it would seem most judges and directors are content with that being the wind/percussion generated music.

    Just my 2 cents of course, but in critiques I've not been shy about questioning judges as to the reason why they score us (or other groups) one way or another and much of what you see above is straight from the horses mouth.

  11. Agree and I'd like to expound a bit.

    I heard Cavs and Cadets earlier in the week at Massillon (remember, Massilon was the last regular season show on Monday with finals 5 days later). Mr. Willis is correct that when heard live Cadets appear to have stronger horns and drums, played more musically.

    Cavaliers sounded COMPLETELY electronically enhanced, meaning the live horn ensemble was mic'd and amp'd for loudness, drums as well. When Cav's played, I heard sideline speakers. When Cadets played, I heard the horns and drums on the field where they were standing.

    Cadets' natural sound sounded much better than the amp'd sound, to my ears.

    As an instructor at the High School level, I can tell you that judges routinely reward groups that play less notes, but sound cleaner. Also, since judges are judging the quality and effect of the "music", how that music is created seems less and less of importance to them. (i.e. synths) We've been told this during critique on any number of occasions by judges. They certainly don't reward you for playing more notes by way of non-electronic based instrumentation (winds, drums), nor are there any compulsories with respect to the length of time that non-electronic instrumentation is used. So in theory you could roll out there with a predominantly electronic show and win music. We've actually seen this happen on several occasions.

    In fact, one time a judge remarked how much demand and quantity of notes we played and suggested we water it down because it gave them too much material to "judge" and scored us much lower than several other groups who played very little via winds/drums.

    Also, judges don't seem to reward anymore for playing difficult musical passages while marching. "Park and bark" hit sections sandwiched between scatter drill is apparently just fine now.

    Another thing, our pit plays some amazing runs compared to other lines, but if we aren't "expressive" enough, then we score below other groups who, again, are doing less, taking less risks, but have the better optics. Don't get me wrong, it's all important, but they are basically saying that optics are more important than the notes themselves, both in terms of quantity and quality.

    So I can't speak for DCI, but judging at the High School level is going in the completely wrong direction by rewarding form over function, while allowing electronic instrumentation to count for as much or more of the musical score as winds/drums.

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  12. As for scoring someone said they could push for top three? I think that may be a stretch. Probably will close on SCV but a much more solid fifth place show than before when there was a chance the Caves could pass them.

    I was there in 1996 where a certain corps from Rockford came into quarterfinals seeded 5th and crashed the party. So anything is possible.

    Now, is it highly unlikely that Cadets could crack the top 3 this year, yes, but it's not impossible. It all comes down to who will do the best job with changes and cleaning by finals week.

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  13. Wow! That was an impressive run. Love all of the changes musically and visually. They make actually make a push for the top 3 after all.

    P.S. Cadets: DCI just dropped off a note saying that they liked the changes as well, but asked if you would be able to incorporate some slides into your program? Not sure what that is all about, but apparently that's a thing now. Also, if you could add a bit more synth, that would be appreciated as well.

    No one get bent out of shape. Just a light bit of levity for your Tuesday . ;-)

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  14. I really wish the judging crews would be more consistent. I totally understand how visual and music scores can vary greatly from show to show. But not overall GE. The Bluecoats beat the Blue Devils by .45 in GE in San Antonio. But tonight in Dallas, one show later, the Devils beat the Bluecoats in GE by .10

    I wasn't at the show in Dallas, but I doubt the Bluecoats had a GE meltdown.

    Exactly how long have you been following this activity? ;-)

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  15. one corps director went on record saying "this will #### the DCP crowd off"

    Which is why I believe that all of this was really done just to punish fans and DCP. Or to insulate the judges from being ridiculed on this forum and others. This has little to do with anything of a competitive nature, because as you say, you judge based on what you see and could care less about what X corps/band got the week before. I'm sure most judges in the activity feel the same.

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