DoubleHighEZ
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Posts posted by DoubleHighEZ
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I haven't heard many screamers, but I believe the highest I've heard was Madison Scouts 1986. Guy plays what sounds like a triple concert C?
That was a triple high F on a G bugle, which is actually a double high concert C. The highest note that I am aware of is a triple high C on a G bugle(a concert double high G)by Chris Metzger of the Madison Scouts in 1974.
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Blue Knights were by far the loudest at Stanford. They sound great!
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Now if you had asked for the top 7, I would have added:
1977 Bridgemen - fun, entertaining, in your face show, with Jim Brady at the top of his game playing some of the greatest solos ever!
2002 Cavaliers - seamless!
I'm just sayin'!
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93 Star for sure but i find it funny when i loved it back then there were sooooo many people who didnt and now everyone loves it..lol..
I got to see them a lot in '93, and was a fan from the first time I saw that show!
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Wow, only 5? OK, in no particular order.
1982 Blue Devils - clean, clean, clean! My fav BD year!
1984 Garfield - a game changer!
1989 SCV - one word: emotion!
1993 Star - revolutionary!
2008 Phantom - the total package!
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Very cool!
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Was he the French horn soloist in 1979? That guy was off the hook!!!!!
Fran
Yes he was. Art West & Doug Huras were the sop soloists in La Suerte that year. In 1980, it was Dave Charlton on bari and Doug Huras & Pete Burnejko on sop.
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Why not something like a 5C that is a deeper cup but with the high point of the rim more to inside and makes it feel smaller, easier switch ( somewhat) for those coming of a typical lead piece like a 13a4a or a 14a4a?
3C is as deep as a B cup Schilke except the Bach has a wider throat entrance.
Not trying to badmouth a choice, I would ask a player to switch too. I'm just curious on the solution of the choice of a 3C.
Also, does anybody care to answer why the 3C is the rage in corps today?
I have switched my students mouthpieces to a Bach Megatone 3C or 3D for many years now. It's always gotten positive results, so I carried that on with the groups that I have taught in drum corps including the Renegades, again with positive results. I have found that a 5C just doesn't get as big and dark of a sound as a 3C.
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So, if someone told you to change mouthpieces you would do it without at least wanting to know why?????
Certainly not. But that was not the case with Wayne and Jack, nor John. Also, when I ask someone to switch to a Bach 3C in the Renegades, it's only because their mpc. is not a good fit for the player(i.e., a 2nd or 3rd sop playing on a lead trumpet mpc.)
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To play lead trumpet successfully you need to play on equipment that FITS YOU!
Requiring a musician to play on a particular size mouthpiece, different than what they use already, is stupid. Period.
You should play on the mouthpiece that suits YOU and anyone that thinks they know what works best for someone else is full of it. The instructor can offer suggestions, but to require someone to change without any regard to a player's personal requirements is stupid. Any instructor that would make it mandatory for all players to play on the same size mouthpiece definitely doesn't know what they're doing. Uniform sound comes from the player, not the mouthpiece.
It's like requiring everyone to wear the same size shoe, because you want a uniform size step. "Oh you wear a size 7? Well, in our corps, we all wear size 12. You'll have to adapt." It's idiotic.
So what you're saying is that Wayne Downey, Jack Meehan and John Meehan are full of it and don't know what they're doing? :tongue:
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Conversely, Roger Grupp of MBI has always done his stratosphere artistry on a stock Bach 3C.
The Bach 3C is an excellent all around mouthpiece. The Renegades 2nd & 3rd sops play on them.
BTW - Jerry Noonan, soloist for North Star in the '70s, played on a Bach 1C or 1 1/2 C.
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6a4a on a mellophone OMG!!!!
Don
Donny,
FYI - SCV used 6a4as & 13a4As, amongst other a4As on their mellos, back in the '70s.
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When did DCI start handing out rings for winning finals? When I marched I'm sure all you got was a medal.
1979 was the first year.
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1975 Vanguard, for obvious reasons.
OK Russell, two can play that game.
1981 BD, for obvious reasons!
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OR: Arrangements/instrumentation has improved across the board, giving a greater range of selections to choose from.
You're kidding, right?
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Canzona Per Sonare No. 2 was a brass quintet comprised of staff and members. That may have been the first time that I ever played on a 3-valve G sop!
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Does this mean Joey will solo for both corps?
Why not? It ALMOST happened in Rochester.
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Renegades:
51 Brass (should've been 52... last minute illness in Sop line)
16 Battery
20 Guard
8 Pit
2 DM
7 Honor Guard
See you on the 50,
- Greg
We actually had 49 brass, one hole.
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When is the second mortgage paid off?
I know $315 sounds like a lot to pay for a mpc. but
relatively speaking, trumpet players pay a lot less than other instrumentalists for their equipment. IMHO, Monette mpcs. are worth every penny.
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The Freelancers appeared in the 1984 classic, "Chattanooga Choo Choo", starring Barbara Eden, George Kennedy and Joe "Willie" Namath!
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My brother and I used a popular item from the late 50's called a Bel Air... similar to Jet Tone... hunk of metal with a pin #####... Many Brigs at the time used them and I remember being told that the entire Yankee Rebel lead line used them... circa 1959
gave up tone for range and endurance
Monette has fixed that problem, it's called the BL6. Narrower and shallower then any mpc. I've ever seen(except for Joey P's) but allows me to play in ALL registers with incredible ease!
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Solos and soloists. A LOT of talent out there today, give these kids some solos!!!! The flugel solo in PR's show was my fav this year. Nice job!
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In professional circles, a "frack" is also known as a "clam".
Screamers
in DCI World Class Corps Discussions
Posted · Edited by DoubleHighEZ
IMHO the guy with the "sweetest sound" in the upper register was Jim Brady of the Bridgemen. He was the Bill Chase of drum corps.