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brassmeaway

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Posts posted by brassmeaway

  1. Bad

    Anybody else notice the audio on the SCV video from Houston?

    • 2:41 random music that clearly doesn't go with SCV
    • 6:45 something happens and the whole pitch of the video sinks about a half step
    • 7:45-7:56 there's a pop and then what sounds like somebody accidentally resting on a synth (but not from their pit)

    Good

    • 11:10 when they hit the hold, please tell me that's the synth using a (low) brass patch, or else that's an achievement of intonation at a very loud volume that i haven't heard since Cavies 2002

  2. I was explaining video.

    As for audio, DCI wants you to pay for APDs and the individual corps gets paid from it. Why would they give you APD quality audio that you can rip off the video for free?

    Yeah, but that's irrelevant. If you have access to the FanNetwork, anybody could rip the audio off of ANY video or ANY recording. So, they should just post pictures then?

    Some of us choose not to because that's stealing from the activity we love.

    If they're already making the APDs, why not just fuse them with the video? APDs and VPDs are meant to be portable or kept with you regardless of your subscription. The videos I want to watch on FanNetwork aren't.

  3. So, I watched the Stanford webcast and was greatly pleased with the quality. But, the On Demand videos from that show sound like they were taken from somebody's cell phone (AGAIN).

    What's the deal?!

    The webcast feed was never slow, so they shouldn't have had to bump the quality down to make it more accessible. I can go to YouTube and find videos that sound that bad, but I'm paying (I believe) for better quality--especially in the videos.

    (This is not directed towards APDs, they sound great to me.)

  4. Aside from whether or not they can pull it off, I am BEYOND pleased with SCV doing Ballet for Martha so straightforward.

    This show makes it very easy to appreciate drum corps for what it is. Don't get me wrong, I like a good "thinking" show every once in a while, but there's usually not much of a spectrum (don't over-analyze that word, I know each show is different).

    To me, how they treat the music, their nuance and the specific touches they added make it stand out on its own accord; regardless of how similar the arrangement is to '87 Garfield. The show is the same, but the show is different. Not many of the shows this early let me grab onto and enjoy completely, but this show does.

    We usually get so tired of remakes and songs that are commonly done, except when they're done well. This is one of those rare times.

    I think I've gone on enough about this. I only just watched it on Fan Network and I simply felt different about how I was enjoying a show I thought was going to be mundane or too different.

    Kudos to the entire SCV team, members especially.

  5. Nola is a great judge and a great musician. She is also one of the best effect people in the business (which is really hard to come by). We could be so lucky if we had people like her judging GE music eery night.

    Negative on the "best in the business" its all subjective

    this all really comes back to:

    has she screwed your corps? or a corps you were cheering for?

    VS

    do you know her personally?

    And its for one of those reasons i don't like her. This is similar to peoples biases towards certain judges in the NFL. Some are better than others, but all of them get it wrong every once-in-a-while. And guaranteed one of them has screwed your team.

    For her caption abilities? I have no clue since I don't know her personally. But of the ones I do, like Bret Mascaro, he's an incredible visual guy and great band director too. No, he doesn't have a PhD, but PhD/DMA's don't necessarily make you a "smart" (yes, you got the degree) person. There are people that do them justice, and some that make it seem not worth the effort; and there are people who don't have them who are smarter than those that do. So throwing the degree around is irrelevant.

  6. I believe it does make learning the show more difficult. But, I think, it will also condition them. If you can learn your show in 100 degree weather, the 80 degree weather they will encounter up North should feel comfortable.

    If only they did spring training on the top of a mountain in Utah... there's as much air there as there is on the moon

    talk about conditioning....

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