Believe it or not I did not remember that phrase even made it on the recordings. Until last year, I had not heard '83 Freelancers since Sept./Oct of '83. Someone from the Kinsgmen Alumni Corps brought it to my attention at rehearsal. I had forgotten that I had even said it.
Well, if you are interested, here is a bit of trivia about the way that 'Shout out' came into being. The push in "Even Now" was always so powerful so I originally starting turning to the crowd to give them a look of "Hey, check this out" B) . However, our horn instructor told me that the half turn that I was doing with a glance, over my shoulder at the crowd, looked as though I was angry with someone in the stands. Well, so as not to have my intentions misunderstood, I did a full turn and smiled and held my arm out and presented the corps. Then after doing it a few times, I thought "Wow, they seem to like that, maybe I can milk it and get some extra GE points out of it. Sooo...I decided to verbalize exactly what I was trying to communicate, and that's what you hear on the recordings.
Thanks for saying I was not too shabby on the bari. Without trying to sound puffed up. My two favorite baritone solos that I played were in '80, in "Sambandera Swing" and in '81 in "Malaga". My least favorite was what I played in '83 during concert. <**> . The most frightening were in '78, at the end of "I've got Rhythm" and the Baritone Quartet in Sabre Dance. I was 15 and so afraid that I would mess up for all time sake.