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brichtimp

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Posts posted by brichtimp

  1. With all the talk of the new staff and the new visual style that will unfold with Cadets (and most of it in a positive way), I wanted to also give a shout-out to the past drill writer, Jeff Sacktig.

    Jeff's drill writing, IMO, was masterful and beautiful to watch. I really felt the all-black uniform hurt the overall look and feel to Jeff's drill from last season. I also don't buy this "we all need to move in the direction of BD or Crown, etc." Those corps are great, fantastic! They each have a unique style and do it well. If you ask me, what has hurt Cadets is not the drill, but the way the show theme was incorporated with the music and integration of guard. Playing around with gimmicks like the number 10 and X's on the field while playing serious Shostakovich music didn't seem to connect. Regardless of the symphony number, Shostakovich's music needed a deeper theme, or perhaps no theme.

    I have no doubt they will be good. They always are. Let's face it, here's a corps that received a lot of criticism over their shows of the last 4 years while placing 4th, 3rd, 3rd, and 4th in that span. Most other corps would take that. In 2014 they only lost ONE show to corps not named Blue Devils during the regular season (Crown on 6-22-2014). It was only at Finals that Bluecoats nabbed them on the final night by a little, pushing them to 3rd place. One of the great things about them in the last 4 years has been some pretty awesome music, minus about 1 minute of the 2014 show. I loved the Christmas arrangements of 2012. The 2014 show had excellent Aaron Copland music, and their brass and percussion lines of 2013 and 2015 are some of the finest I have ever heard from the Cadets. Musically they have been excellent.

    At any rate, I look forward to seeing the new style, and I do hope we still see some classic Cadets in there. Win, place, or show...it's always nice when a corps can retain their unique identity.

    Checking the records for 6/22/2014 in Bowling Green, I see that Cadets beat Crown by about 0.7. If that is correct, then Finals night was the only show where Cadets lost to anyone other than BD; and the latter will always be debatable in my mind (but I am biased in that regard). I totally agree that the 2015 theme was not worthy of Shostakovich; but aspects of the drill at insane tempos exposed individual member marching flaws despite fabulous brass and percussion execution.

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  2. It was '14. And yet, everyone seems to forget that Phantom Regiment had left at the same exact time. The only reason Cadets were out first was because where the retreat block was in relation to field. Phantom on the far left with Cadets off the middle.

    I think some were connecting their exit with the fact that they slipped to 3rd after placing no lower than 2nd all summer.....a punch to the gut on one level; but the Cadets were true to their on stage personna.....it's also what I like when they march a parade. Most corps fairy dance down the street..... Cadets at least attempt to get feet in phase, etc.

  3. CSO seems to be on a downward spiral; this makes FOUR principal openings/departures (oboe, flute, horn, now trumpet). I've heard things about unrest within membership, but this is a bummer that the mighty CSO seems to be really struggling.

    On the flip side, kudos to Chris Martin!

    The CSO is hardly struggling! Their long time principal horn, Dale Clevenger, retired; and they have not replaced him. Their principal flute, Mathew Dufour, won the same position in Berlin; and the CSO has a fine replacement. Their principal oboe went back to his former orchestra in SF. I am a bit puzzled with the Chris Martin situation...we'll see how that works out. What I hear from a reliable source is that the morale there is high, and there is no shortage of incredible players looking to fill any openings.

  4. I was thinking that a significant number of DCI lines include kids who perform in WGI....Coats, Devils and Cadets come to mind. The physical demand/field coverage of a top DCI show adds a challenge beyond what WGI requires.....coordinating complex rhythmic patterns with brass and pit that may be 40-60 yards away with the expectation of absolute precision, and doing this at the 'Oil Can' is almost surreal in difficulty.

  5. With MakeMKV for ripping, Handbrake for rendering and Google Drive at $2 a month for 100 GB I made my own Fan Network, available on any of my computers. I knew when Fan Network went away that it wasn't coming back.

    Thanks, MakeMKV worked great to backup then rip the 2015 BR disc to mkv files; and then I used iSkysoft Media Converter Deluxe to transcode to MP4.....looks and sounds great on my Mac and iPad Mini.

  6. So, for 2014, I was able to back up my purchased Finals BluRay disc using something like MakeMKV. Is that still a viable application for backing up the 2015 DCI BluRay, or is there a better process. Of course, I am not looking to make copies to distribute or post, although being able to transcode for personal viewing on an iPad would be cool.....any thoughts from the hive mind here?

  7. Yeah, I know someone in the front ensemble and she was explaining the splits to me and I saw that. Pretty cool stuff! There's some stuff like that going on in the pit as well from what was said.

    This 2016 battery has the potential to be one of the best in DCI annals....rising on the shoulders of the great sections from the past few years. I hope that the musical essence of Pines will not be obliterated by the overwhelming chops on display. When you hear Pines in concert performed by a world class orchestra....ie. Chicago, Berlin, Cleveland, Concertgebouw....the Appian Way portrays the approach of the unstoppable Roman legions so that by the time you get to the last minute of the movement, the wall of sound is incredible...but that effect depends on the ensemble not 'shooting its wad' too soon.

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  8. Great stuff. Cadets 2015 one of the most underated corps in a while but always appreciated by fans even if dumped by the green shirts.

    If I recall accurately, 50% of the 2014 snare line returned in 2015, augmented by strong guys coming over from Madison Scouts snare line.....2015's beast line was maximized with a tremendous McNutt book and great staging in the show....awesome sauce! That said, I think the Cadets have an excellent line just about every year......just slim degrees of difference in talent, the book and the design. I really enjoy that Colin demands nuanced playing....not just a ram fest.

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  9. doesn't matter if I've seen them live. I don't watch a college band for quality because you have kids in there only because they need the credit.

    As I said, i'm not saying Stanford is great. I'm saying that in the grand scheme of things, what they do gets far more attention in the real world than drum corps does. So cry about quality all you want, they're known to far more people than drum corps is.

    Quality can be a relative term, ranging from the imaginary ISIS All-Mideast Honor Band and the Stanford Marching Band on the low end, to Ohio State and a few others in college on the other end. I don't agree that all college bands are just for credit or just for fun. However, I suspect that many are. And, 'in the grand scheme of things,' I doubt there are many viewers out there who view a Stanford performance and come away thinking that the dreck on display was awesome sauce.

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  10. While I am no fan of Stanford's band, I do kind of dig what they represent: anti-authority, anti-tradition, "comedy," etc. What I do not dig at all is what they also represent: anti-achievement, anti-basic proficiency, etc. I don't mind that they're controversial, take cheap shots at opposition (the Iowa thing, jabs they've taken to Notre Dame over the years, USC and Cal jabs, etc) or do stuff to have fun. I wish they backed their psuedo-anarchic demeanor by performing better.

    I wonder what Stanford students/alum think of the band: fun, embarrassing, somewhere in between?

    For those of us who dug the irreverent humor of Firesign Theater, the Stanford schtick would be a lot more palatable if they could play their buns off; but Stanford lacks any cred on the musical front....... Just poseurs, imho.

  11. There's a LOT of what I call "Droney-Baloney" coming out of the large College marching bands.

    GoonchaGooncha Boomchuckaluck Drooooonedrone drooone.....

    That wears on me. Kind of as if one was spoken to by someone who yelled and never varied the intensity of their yelling for 10 minutes. Or.... the band was trained to play the show on Vuvuzelas. :satisfied:

    Yep, but there are middle school bands that, in terms of simple musical proficiency, would leave Stanford in the dust.

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  12. I've seen countless marching band halftime routines on television over the decades, and I'll say this for Stanford...They're memorable.

    We could pull spectators at random from the stadium, hand them a kazoo, noise maker, etc., and they could blend right in with the Stanford band with minimal rehearsal. Some times, I laugh with that band's satire....too often, I cringe at the chaos.

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  13. Wow that's great. Wasn't your son in that amazing Cadets 2014 battery?

    Yes, he was on that 2014 snare line..... They were very strong and a collection of solid musicians, beyond the obvious strong chops. Additionally, the two years in C2 were excellent preparation for Dan to gain the skills and confidence to hang with the Cadets.

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  14. some of the loudest moments of 46 years of fandom have ome with Bb horns that were played well, in tune and not overblown. And thens ome were the scouts which had a little bit of everything

    Exactly....when those Bb horns are played in tune with proper support, pushing a bunch of air, and the chords are balanced, the cumulative impact is more than loud enough to impress.

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  15. Kids all the way down to middle school have access to better instruction and instant access to view and hear inspiring DCI percussion sections. As a result, the level of performance has gone through the roof for percussion technique and musical awareness. And, then you have easily accessible videos featuring the very top pro players in every musical idiom.

    This is the golden age for percussion, IMHO.

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  16. Thanks, and no worries - he'll march somewhere else this season, and will try for the Cadets in the future.

    I can relate to your experience. My son auditioned for the 2011 Cadets, but needed more experience...so, he marched two summers with C2, and that prepared him well to earn a slot on the great 2014 Cadets snare line. It's a lesson in perseverance and sustained desire. Best of luck for your son!

  17. We couldn't possibly " close our eyes " ( imo ) however and know where to place the DCI World Class units in placement. Sure, we might have BD ahead of Pioneer and such, but there is no way in the world we could determine the very top DCI units in any season without watching the Design, the Guard, and the " marching " they do in their show. The " closing of the eyes " would permit us only to hear the music.... and we all know here that its primarily the visual more than the musical that permeates what is considered " really good " in DCI these days ( determined by judge placements ). Thus, " the really good " DCI units today are actually the ones we need the eyes to know......way more so than the ears to know, imo.

    I try not to confuse quality of show design with quality of the musicians and arrangements. I think the best DCI performances contain some of the best playing.....of course, the sheets look for the other elements.

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