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Sartoris

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  1. Whoever posted this review is perfectly entitled to the opinions he presented. I am equally entitled to say that it was the stupidest review I've ever seen of anything. That said, I haven't laughed so hard in a long time.
  2. It sure would. It would take a special hornline to do it justice, that's for sure. The musical demand didn't affect your corps visual too much. At least, not as far as I could see. I really liked that visual program. The company front at the end is a must if a corps redoes it.
  3. It's been so long since I saw the show, I had forgotten how great that hornline was, and how entertaining the music was. Anybody think SCV or Phantom, or anybody elese could pull of another "Feast" type show?
  4. thanks for the review. it's good to see someone so passionately against amplification is able to see strengths of the most egregious offenders. i'm really looking forward to finals now.
  5. I've read that that was the whole intent behind it. And, from this RAMD posting: So, like it or not, they essentially accomplished what they set out to do. Earlier in the article, it says that Star's '92 show was designed for broad appeal, yet got a hostile response from the audience. So the '93 show was Jim Mason's "revenge"; the last thing he wanted was for it to be accessible to the audience. That sounds a little like what Downey did when he came out with Bird and Bela the year after the judges crucified Tommy.
  6. For just the last 30 seconds, I'd say Star '91. For favorite complete closer, gotta go with Phantom '89, Cadets '80, or Phantom '93.
  7. That was a terrific show! They played Short Ride in the wrong key, but it was great hearing it on the field at all. I didn't like SCV's version quite as much. The rest of the show was brilliant.
  8. That's not what I saw at all, and I was there for quarters, semis, and finals. Star '93 blew me away. I've never felt such raw emotion come from a corps as I did in their finals performance.
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