B) Well Ladies and Gentlemen, I hope you all have learned something. There are a bunch of people that are familiar to me in here and I am confident in their opinions, even though they don't line up with each other. To be stuck on one philosophy is a way that wouldn't make us grow as musicians. I find myself extremely blessed to have been under some of the greatest DCI hornline instructors, Frank Williams, Robert W. Smith, Rick South, and Freddy Martin. Now, all of these men had different philosophies, but did they teach me something? Did they produce hornlines that were incredible, with good tone quality, articulation, a balanced and blended sound? To some people, yes, others, they would say no. You be the judge.
Also, we have to remember that we hear Drum Corps on a FOOTBALL FIELD! Brass instruction is only a part of the solution. I haven't heard one thing about visual staging. Staging plays a HUGE part on balance issues. Plus, to all the people who judge drum corps brass playing from cd's. Well, the recordings are made from 3 microphones, about 30 ft in the air on the front sideline. How can you hear balance and blend from 3 points on the field when the hornline has 64 different players placed at different areas?
Cavies, I salute you. The visual package meets up with the brass extremly well. Also, Cavies have the best sounding forte piano I've ever heard from a drum corps. Now, sound quality, PR takes it. In my opinion, Phantom Regiment have always (89' especially) had an incredible sound. The way MY body works is that when PR plays with thier dark and rich sound certain chemicals secrete in my body to produce goosebumps. But hey, that's my body, not yours.
As to the greatest hornline with all the best attributes, visual staging in mind, tone quality, balance, blend, timing, articulation.....Remember, we're talking as an ensemble... in my opinion, there's no other like Star of Indiana.
These are my opinions, may I never shut myself off to learning new ideas. Thats how I grow.
Brian Bentley