Jump to content

1991 Cadets


Recommended Posts

Does anyone have any insight into the little storyline going on in the guard during Letter From Home? It seems pretty random and I'm not sure how it fits the overall theme of the show.

Link to comment
Share on other sites

http://www.dci.org/media/downloads/view.cf...42-43e5d4a07ab8

Anyone else notice the conspicuously ABSENT 6th place show?

And I know it has nothing to do with Hop or black helicopters. Is this a music licensing thing, because I haven't noticed any other shows having this problem.

Quick research...

Fast Machine is in 01 SCV, and you can download that...

Letter from Home is in 98 Xmen, and they're available...

PFR is in 02 Cascades, and they're available.

Weird.

Edited by bigCPApi
Link to comment
Share on other sites

http://www.dci.org/media/downloads/view.cf...42-43e5d4a07ab8

Anyone else notice the conspicuously ABSENT 6th place show?

And I know it has nothing to do with Hop or black helicopters. Is this a music licensing thing, because I haven't noticed any other shows having this problem.

Coincidence that it was the lowest placing show during Hopkins' tenure as Director? Hmmm.... :worthy:

Link to comment
Share on other sites

Does anyone have any insight into the little storyline going on in the guard during Letter From Home? It seems pretty random and I'm not sure how it fits the overall theme of the show.

The "theme" of the show was "The ABCs of Modern American Music."

A - John Adams (Short Ride in a Fast Machine - opener)

B - Leonard Bernstein (Prelude, Fugue and Riffs - closer)

C - Aaron Copland (Letter from Home - ballad)

Really Cadets 1991 can best be viewed as an experimental show across the board. Both "Short Ride" and "Prelude, Fugue, and Riffs" were pretty out there musically, as the Adams piece had no discernible melody and Bernstein's is full of dissonance. The guard used some unique equipment.

The Copland piece, I think, is one of the first attempts for a DCI guard to tell a story using dance (correct me if I'm wrong). Although I'm not too familiar with 1989, they may have done this kind of thing then, and it continued to evolve during "Somewhere" in the 1990 championship show. Co-ed color guards were just becoming the order of the day, allowing the men and women to play "parts" dancing opposite each other in unison or separately. As I recall, it's a pretty simple boy meets girl, they fall in love, they must part type of thing. This kind of use of the co-ed guard was best represented in the 1990s by Blue Devils (96-98, two championship corps) and The Cadets (94-95 especially.)

The value of 1991 is that it allowed Cadets to try some new things which would lead to a second place finish in 1992 and a championship in 1993.

  • Like 1
Link to comment
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...