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Lead Sop/Trumpet Players


Sweendoc

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In my fledgling days as a "screamer" I played on a Schilke 13A4A that had been bored out. It served me well, but as soon as I stopped playing every day (after high school) it was not a good mouthpiece to just "pick up" on.

I tried the CG3, and MF Jet Tone and a Bach 3D. I'm sure many of you are thinking "ok, those are pea shooter pieces". Well, despite being a big guy, I don't have very large lips, so those seemed to work fine.

I went to Mars Music when there still was one in Bloomington, MN, and was looking at some Marcenkiewcz (sp?) pieces. I didn't really care for any of them. Then the guy who was helping me said, "Just a minute" and went back to his gig bag. He pulled out a pouch and handed me a Laskey 60S*. Compared to the other pieces I had just tried out, this thing felt like an ice cream pail on my chops. But I liked the sound, and even though I had pretty much blasted my chops playing a bunch of highnotes on the Marcinkewicz pieces without warming up, I was still able to play with a pretty big sound on his piece and I noticed that the rim held things in pretty well.

I now play on a Laskey 60S* in all situations, lead or otherwise. I've found that it gives me a good round sound, and I love how much air the piece will take.

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Mike,

I've heard a lot of good things about the Laskey mouthpieces but have never personally played on one.

Unfortunately, there are only a very few stores that carry them, so you can't easily try them out. Brasswind (at least when I bought mine) would send you up to 3 mouthpieces at a time and if you bought one, you could sen the other two back with no restocking fee, or if send all three back, they charge like a $6 per piece restocking fee.

Before I bought from Brasswind, I actually e-mailed back and forth a couple of times with Scott Laskey about his mouthpieces and company. He seems like a really down to earth guy and was a great help. If you check out his web site, he hangs out with some pretty good company too (see the photo album link).

The Scott Laskey Website

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Thanks for all the replies, keep them coming! I guess I'll add my 2 cents worth. I have always preferred a shallow mouthpiece. For almost 30 years, I played a Schilke 6A4a. Two years ago I switched to a Giardinelli 17s. This mouthpiece gives me a much better attack, and helps me slot the notes with more ease. I believe the sharper inner rim does that trick. Also, IMHO, it takes much less effort to play double C on Bb trumpet with the Giardinelli. I also use this piece on my "G" Kanstul Powerbore bugle. B)

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I've been playing a 20 year old Bach 1 1/4 C ever since my roommate found it on the Bluecoats equipment truck and decided it was way too big. (please nobody claim it) I use it for C, Bb, and Eb. There's something about that vintage of Bach that makes them really easy to play. The Marcinkeiwicz 308 I drilled out seems to work great for lead playing. I can actually play a little bit higher on the 1 1/4, but what's a major second when you're above a G. It's more of a timbre thing anyway. Oh yeah and a Bach Mount Vernon 7C for picc.

Sorry I almost forgot to mention that I used a Marcinkeiwicz 308 (not drilled out) for soprano. Great match for a kanstul powerbore in case anybody's looking and it has a nice flat rim on it that's nice for long playing days.

Edited by John Schmitt
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2 cents from me...

1997 Tarheel Sun: 3C

1998 Tarheel Sun: CG3

1999 Crossmen: CG3

2000 Crossmen: CG3

2001 Crossmen: Warburton 4M with a 10 backbore

I finally found a mouthpiece I liked by 2001 :-) 98-2000 I just went with what I had, but after I saw the book for 2001, I decided I was going to die a slow death if I didn't find something with a more comfortable cup! I also have no problems switching from the Warburton to a 1 1/2 C, which is what I play on for everything else.

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