ScoutsSoprano Posted November 3, 2002 Share Posted November 3, 2002 Could you also include the pitches (i.e. C, E, G........or 1,3,5 [those are just major chords] so on..) thanks! Quote Link to comment Share on other sites More sharing options...
Boof Posted November 20, 2002 Share Posted November 20, 2002 A rather popular one is having triads against other triads. For example having a F major triad in the high brass against a Gb major in the low. Also you can experiment with minor against major. For example a E minor triad against C major. Just something to think about. Quote Link to comment Share on other sites More sharing options...
Click Posted November 21, 2002 Share Posted November 21, 2002 Scouts Malaguena tag for either 88 or 89. Can't remember which one, but an intense tag none the less. Quote Link to comment Share on other sites More sharing options...
ScoutMello Posted November 23, 2002 Share Posted November 23, 2002 (edited) Triads on triads generally arent cluster chords. Bitonal stuff can usually be very consonant, and a 11'th chord fits the triad on triad description exactly. C11 = CEG and BDF at the same time. A real cluster is just what the name implies. A group of notes a 1/2 step apart. C/C#/D would be a cluster chord. Just think all the notes of a chromatic scale played at the same time and you have a BIG cluster! but it doesn't have to be. At scouts we usually took whatever the chord was we were previously on, and had some members go up a half atep, some down, and some stay. Added alot of dissonance while keeping the same tonality of the chord. For example, the last chord after the drum break in Scouts 2000, before the singing. That was a good cluster! Edited November 23, 2002 by ScoutMello Quote Link to comment Share on other sites More sharing options...
Click Posted November 23, 2002 Share Posted November 23, 2002 Well that tag still rocked my world. Quote Link to comment Share on other sites More sharing options...
Galen Posted November 23, 2002 Share Posted November 23, 2002 We had one that was affectionatly known as "The Shocker". I think it was built off an Ab triad of some sort. Sounded quite cool at the end of a C/G/Bb7/Eb7 sequence. Quote Link to comment Share on other sites More sharing options...
RCC Posted December 16, 2002 Share Posted December 16, 2002 In 97 we did a cluster chord right before the drum solo... Was C C# and B, with one of our sops ripping a double G. GJ Smarty it sounds sweet! Quote Link to comment Share on other sites More sharing options...
randomnoise Posted December 29, 2002 Share Posted December 29, 2002 Renegades 2003 - beginning of the Matrix! Of course, it is only playing in my head right now, but you'll all hear it soon enough! Quote Link to comment Share on other sites More sharing options...
STAT 007 Posted June 4, 2003 Share Posted June 4, 2003 Excellent topic! OK, here I go... At 2:45 in Phantom Regiment 02, I just love it when they play Shostakovich's literal "signature" cluster chord of D-Eb-C-B (concert pitches...I know the notes Phantom plays there are different). In case you didn't know the history of this, here's how it has been explained to me... In German music (I know Shostakovich was Russian, but like I said, this is how it was explained to me!), S was the name of what we call Eb and H was the name for the note we call B. So this D-Eb-C-B chord that Shostakovich used (and that Phantom used at the end of their 2002 opener) spelled out D-S-C-H back then, as in Dmitri ShostakoviCH. Pretty cool, huh? B) D...S...C...H...Dup diga dupdup digadup DUCKA digada digada DUCKA DUCKA DUCK! DugadugadugadugadugadugaDAK! DUCKa DUCKa DUCK! Psschta!Psschta! Quote Link to comment Share on other sites More sharing options...
Penguin Posted June 4, 2003 Share Posted June 4, 2003 At about 8:42 in Cadets 1989, right before their ballad "Bring Him Home". I'm not so sure if it's exactly a cluster chord, but it sounds like it. Don't know the notes either. Quote Link to comment Share on other sites More sharing options...
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