Rocketman 347 Posted November 8, 2003 Report Share Posted November 8, 2003 I'd have to agree with Jeff. The sops and contras pushed too hard in the opening hit. There were also a couple instances of individual sounds jumping out of the ensemble in "Wild Nights" and in the last chord of the show.However...I will take a little bit of overhype anyday instead of the ultra-refined, not-willing-to-push-the-limits approach to brass playing that has become so popular. We have to remember which activity we're in. It's drum corps. Drum corps hornlines play loud. They also play with a little edge. We shouldn't allow ourselves to be defined by namby-pamby band directors. So, yeah, Regiment's hornline could have displayed a little more control and still been RFL (really f****** loud). That is a fair statement. Overall, they were still fantastic. SUTA, my brothers and sisters. B) Michael Oldemeyer No doubt emotion took over for technique and I have no problem with that. It was just surprising. I think 89's brass line was just as emotional and LOUD without blasting. That's just my recollection though. 89 was awesome! Rocketman ampssuck Quote Link to post Share on other sites
raphael18 11 Posted November 9, 2003 Report Share Posted November 9, 2003 (edited) any day your compared to '89, and those buicks, is a good day Edited November 9, 2003 by raphael18 Quote Link to post Share on other sites
Recommended Posts
Join the conversation
You can post now and register later. If you have an account, sign in now to post with your account.