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Bugles and all key


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I am not sure if hellcats do Bb, but I know the Old Guard does. I have personally never played or heard a bugle or any kind of signal instrument that could of ever sounded like a trumpet. I spent many hours looking at period instruments in France, many kinds of bugles and what not, nothing is close to the system a trumpet uses to play. the harmonic series is also used differently on a natural bugle then a natural trumpet. I cant believe that people have a hard time seeing that a yamaha Xeno (I think thats what it is called) is different then a bugle.

The Hellcats do play on B flat instruments (bugles) and get the very characteristic bugle tonal qualities. I am not sure, but would guess that the reason they had their instruments designed in B flat was to be more compatible from an intonation and arranging respect with the trumpets in the West Point Band which they often play in conjunction with.

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As for what old G (in this case P/R) bugles could do, I just listened to 1980 Rhode Island Matadors. Sorry but I have yet to hear current Bb horns played in such a heart stopping manner. Don't know if it's the key or construction but that kind of sound is missing today.

Ya sure it's not just a combination of how the music was written and how the kids were instructed to play it? All else being equal, arranging style and musicianship probably count for more than anything.

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Ya sure it's not just a combination of how the music was written and how the kids were instructed to play it? All else being equal, arranging style and musicianship probably count for more than anything.

*Shrug* Could be but there are still old shows I listen to and the horns (sops especially) have a certain "bite" (can't think of a better term). As this was the piston/rotor age I'm thinking horn construction. Would be interesting to read a comparision between the horns by someone who understands the subject.

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*Shrug* Could be but there are still old shows I listen to and the horns (sops especially) have a certain "bite" (can't think of a better term). As this was the piston/rotor age I'm thinking horn construction.

I dunno ... it just seems to me (based upon recordings I've heard -- didn't become a fan myself until 86/87) that the tone quality of the horns from back then left a *LOT* to be desired. And yeah, I know you can't necessarily judge much from old recordings, but that "bite" wasn't always a good thing, in my opinion. I don't totally like everything about how corps has evolved over the past 20 years, but the ever-improving quality of the hornlines is one of the things that keeps me coming back for more.

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I dunno ... it just seems to me (based upon recordings I've heard -- didn't become a fan myself until 86/87) that the tone quality of the horns from back then left a *LOT* to be desired. And yeah, I know you can't necessarily judge much from old recordings, but that "bite" wasn't always a good thing, in my opinion. I don't totally like everything about how corps has evolved over the past 20 years, but the ever-improving quality of the hornlines is one of the things that keeps me coming back for more.

I think the skills in general of the players....the type of charts....and the type of sound the staffs strive to create...has done far more than a key change to the horn.

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*Shrug* Could be but there are still old shows I listen to and the horns (sops especially) have a certain "bite" (can't think of a better term). As this was the piston/rotor age I'm thinking horn construction. Would be interesting to read a comparision between the horns by someone who understands the subject.

Hey! Are you saying the old sounds BITE??? Why I oughta..... :P

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Hey! Are you saying the old sounds BITE??? Why I oughta..... :P

N'Yuck, N'Yuck, N'Yuck..... :P

Now how to describe the sound of the one valvers in my basement.

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