In 2001, with the Brigadiers, we split the percussion and brass 50 yds apart at the end of MacArthur Park and in certain stadiums the acoustics made the crowd think that each of the sections were playing different tempi but when you watch the feet, the guard spins and the ultimate resolve of the production, you see that there was no tear. But as you know, the sound can arrive ahead or behind depending on where it's coming from and where you are in the audience. At finals, I was dead center in the crowd and each section of the Bucs arrived to the GE box exactly on time! And that is so difficult to achieve that it deserves a significant reward (score).