TimmyA33 Posted November 6, 2009 Share Posted November 6, 2009 There is no such thing as a "cheater" mouthpiece. Its a matter of efficiency for the player his or her self. All of the lines I've been in, the caption head/techs let the upper split trumpets use our own mouthpieces. I'm not saying it's not possible, I'm saying it's very rare. As was previously said, I think most lines now-a-days have a matching set so they get the "concert band" sound. Just my opinion. Quote Link to comment Share on other sites More sharing options...
CrownLeadSop Posted November 6, 2009 Share Posted November 6, 2009 He reads DCP, careful not to inflate his ego! (I kid)Hell, I was standing about a foot or two directly in front of him in the pit. My ears... Mr. Starr, you could never inflate my ego. :) Miss ya buddy. Quote Link to comment Share on other sites More sharing options...
Drumcorpsfan471 Posted November 6, 2009 Share Posted November 6, 2009 I'm not saying it's not possible, I'm saying it's very rare. As was previously said, I think most lines now-a-days have a matching set so they get the "concert band" sound. Just my opinion. Speaking from my experience at Cadets, all the trumpets were on a Yamaha equivalent to a 3C, except for the upper leads. And we were only allowed to play on those mouthpieces if we still had a characteristic sound. Quote Link to comment Share on other sites More sharing options...
lowbrasschick Posted November 6, 2009 Share Posted November 6, 2009 Just curious, since this topic is about range, what should the range of a baritone player be (generally) if I want to try out for a second part? I know that we don't scream or anything, so if I can comfortably hit a high G or A, is that good enough? Quote Link to comment Share on other sites More sharing options...
euponitone Posted November 6, 2009 Share Posted November 6, 2009 Just curious, since this topic is about range, what should the range of a baritone player be (generally) if I want to try out for a second part? I know that we don't scream or anything, so if I can comfortably hit a high G or A, is that good enough? Yeah....probably. G or A is the upper limit for most lead parts anyway, with most of the melody and chord / power notes being more between Bb and F. The only time I ever saw our seconds go up to a G in the music, it got cut because it sounded awful. Granted, it was 06, so take it however you may Just a note - i do remember being asked to play a 2 octave Bb scale, years ago when I tried out. They didnt expect everybody to hit every note, and if you cant nail a high Bb, its better to just play what you can well up to a G or so, and then bail out, rather than freak yourself out about the whole thing. Not being able to hit high notes is about 1% of what you have to worry about in a dc audition anyway Quote Link to comment Share on other sites More sharing options...
Piper Posted November 6, 2009 Share Posted November 6, 2009 I guess that a lot of it depends on the brass instructors. I knew of one corps that had all of the mellos, baris, euphs and contras playing on designated mouthpieces but the sops were allowed to choose their own. It's probably one of those things that varies from one corps to the next. Quote Link to comment Share on other sites More sharing options...
crazymello Posted November 6, 2009 Share Posted November 6, 2009 Just curious, since this topic is about range, what should the range of a baritone player be (generally) if I want to try out for a second part? I know that we don't scream or anything, so if I can comfortably hit a high G or A, is that good enough?Triple Bb or cut. >_> <_< In my dreams. that would be an awesome corps. SCREAMING BARI LINE Quote Link to comment Share on other sites More sharing options...
CitBos Posted November 6, 2009 Share Posted November 6, 2009 Triple Bb or cut. >_> <_< In my dreams. that would be an awesome corps. SCREAMING BARI LINE Contrabasses!!! Now THAT would be awesome!!! Quote Link to comment Share on other sites More sharing options...
soccerguy315 Posted November 6, 2009 Share Posted November 6, 2009 Just curious, since this topic is about range, what should the range of a baritone player be (generally) if I want to try out for a second part? I know that we don't scream or anything, so if I can comfortably hit a high G or A, is that good enough? that is probably good enough for 2nd part. I played 3rd part, and my highest note was an F, once in 2 years, and I think it was a unison line for the entire section. Probably 90% of the stuff was on the staff. Most of the 2nd parts should be in the top of the staff plus a few ledger lines area... which I guess matches what euponitone said. Quote Link to comment Share on other sites More sharing options...
crazymello Posted November 6, 2009 Share Posted November 6, 2009 Contrabasses!!! Now THAT would be awesome!!! Music city legend does this every single year. Not even kidding. Quote Link to comment Share on other sites More sharing options...
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