bobby burke Posted August 25, 2011 Share Posted August 25, 2011 Strike up the BAND!! So put the final nail into the coffin where DRUM AND BUGLE CORPS are buried. 1 Quote Link to comment Share on other sites More sharing options...
Liahona Posted August 25, 2011 Share Posted August 25, 2011 I agree that this year's best solo was from that Boston baritone. Of course, I and many others thought last year's best solo was the baritone from Bluecoats as electronically enhanced by mics and other stuff with plugs. The point of this thread, I think, is there are many textures to explore. Some will be great (Bluecoats 2010). Some won't. I say let's find out. HH I wonder how that solo in 2010 would have been NOT enhanced... Quote Link to comment Share on other sites More sharing options...
Dave_G Posted August 25, 2011 Share Posted August 25, 2011 turn tables Only if there are two of them... and a microphone. Quote Link to comment Share on other sites More sharing options...
SFZFAN Posted August 25, 2011 Share Posted August 25, 2011 (edited) I wonder how that solo in 2010 would have been NOT enhanced... Much Better! I mean that young man is so talented, why the enhancement? It just took away from the solo. Edited August 25, 2011 by SFZFAN 1 Quote Link to comment Share on other sites More sharing options...
GMichael1230 Posted August 25, 2011 Share Posted August 25, 2011 Should every single corps have exactly the same instrumentation? absolutely. Geoffrey 1 Quote Link to comment Share on other sites More sharing options...
Stu Posted August 25, 2011 Share Posted August 25, 2011 (edited) Strike up the BAND!! So put the final nail into the coffin where DRUM AND BUGLE CORPS are buried. Here we go again: If you are going to state that the subject of amplifying soloists, or allowing any non-bugle non-drum into the activity, is the final nail into the coffin where Drum & Bugle Corps are buried, you must (to be consistent with your reasoning) also state that: a) the beginning of the coffin was when a valve was added to a bugle (because it no longer was a bugle from that point forward); and b) the the inner-liner for that same coffin was instituted when bells/xylophones (i.e. non-drum percussion instruments) were allowed in a "Drum" & "Bugle" Corps. Otherwise, you will be inconsistent within your argument. Edited August 25, 2011 by Stu Quote Link to comment Share on other sites More sharing options...
srb30a Posted August 25, 2011 Share Posted August 25, 2011 amplified soloists should definately be banned!!!!! 4 Quote Link to comment Share on other sites More sharing options...
Piper Posted August 25, 2011 Share Posted August 25, 2011 A good Drum Corps soloist doesn't need to be miced. I've heard some sops who could knock your jock off from 500 yards with a hangover on their worst day. 2 Quote Link to comment Share on other sites More sharing options...
skywhopper Posted August 25, 2011 Share Posted August 25, 2011 I'm pretty sure most of the OP's ideas are still against the rules, except in the pre-show. Quote Link to comment Share on other sites More sharing options...
skywhopper Posted August 25, 2011 Share Posted August 25, 2011 Here we go again: If you are going to state that the subject of amplifying soloists, or allowing any non-bugle non-drum into the activity, is the final nail into the coffin where Drum & Bugle Corps are buried, you must (to be consistent with your reasoning) also state that: a) the beginning of the coffin was when a valve was added to a bugle (because it no longer was a bugle from that point forward); and b) the the inner-liner for that same coffin was instituted when bells/xylophones (i.e. non-drum percussion instruments) were allowed in a "Drum" & "Bugle" Corps. Otherwise, you will be inconsistent within your argument. I don't think so. A&E brings a profound change to the activity, as would woodwinds. Bugles to valved bugles to trumpets is a tiny, insignificant change comparatively. 1 Quote Link to comment Share on other sites More sharing options...
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