LancerFi Posted June 13, 2004 Share Posted June 13, 2004 For me it's the swiss triple flam fly... Quote Link to comment Share on other sites More sharing options...
uncle z Posted June 13, 2004 Author Share Posted June 13, 2004 For me it's the swiss triple flam fly... Woah, Nancy.......those are WAY too hard to play!!!!!!! Heh Heh Heh!!! Quote Link to comment Share on other sites More sharing options...
LancerFi Posted June 16, 2004 Share Posted June 16, 2004 OH come on, really? What about those swiss para fla flies? And I know you added in soma ricka tickas...or whatever the heck Joe Marella used to say.... Quote Link to comment Share on other sites More sharing options...
WeBleedBloo Posted December 17, 2010 Share Posted December 17, 2010 i like flam fives and hertas. and inverted cheeses. Quote Link to comment Share on other sites More sharing options...
sarnia sam Posted December 18, 2010 Share Posted December 18, 2010 I've always liked playing inverted flams... you almost never hear them being used. Regards, John Quote Link to comment Share on other sites More sharing options...
dudebobmac Posted July 6, 2011 Share Posted July 6, 2011 I like flam taps, but only when they're inverted. Inverts have their own unique sound and I love them. Quote Link to comment Share on other sites More sharing options...
Fastone Posted July 7, 2011 Share Posted July 7, 2011 Anything with flams 1 Quote Link to comment Share on other sites More sharing options...
pearlsnaredrummer77 Posted July 14, 2011 Share Posted July 14, 2011 Simple rudiment, but I love the feel of playing Lesson 25s. Of the hybrids, Hertas. People who are not drummers are fascinated by the double stroke roll and especially paradiddles. Quote Link to comment Share on other sites More sharing options...
cabalumnidrummer Posted July 15, 2011 Share Posted July 15, 2011 (edited) Not just Paradiddle-diddles, but FLAM Paradiddle-diddles. When played at 140 to 144 bpm, they have a flow that's just amazing. Also, all of the ratamacues: single, double, triple and those played with flams on the first note of the four-stroke. Cool to hear, and tough, but cool to play. Edited July 15, 2011 by cabalumnidrummer Quote Link to comment Share on other sites More sharing options...
Piper Posted July 20, 2011 Share Posted July 20, 2011 I don't know about the coolest, but to me the HARDEST to play were "silent flams" where you tap the low stick on the head and then use the high stick to come down like you're going to put the accent on it but noooooo, you have to save it for the next tap when the rudiment switches hands. It's a mental tounge twister. Absolutely maddenning. I've never seen a snare line execute it cleanly in unison. 1 Quote Link to comment Share on other sites More sharing options...
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