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Found 24 results

  1. Vessel Indoor Percussion would like to announce our Caption Heads for the 2023 season. Joining us again as the Visual Caption Head is Gary Briggs. Back with us again, now as the Battery Caption Head, is Matthew King. And we are happy announce the newest member to our Caption Head team, James Catherall, who will be our Front Ensemble Caption Head. Visit our website for more information about these individuals and the wealth of experience they bring to us. We will be announcing our instructional staff, audition dates, experience camp dates, and posting our audition packets in the coming days. There are exciting things happening for Vessel, so stay tuned! https://vesselindoorpercussion.org/design-team-caption-heads
  2. As I sit here in total amazement at the unparalleled Creativity, Talent, Percussion/Music/Guard is on spectacular display this weekend on the field of dreams that is Lucas Oil Stadium, for the 2019 DCI World & Open Class Corps along with SoundSport Teams. It is a perfect time and stream for our Drum Corps "Planeteers" to pay tribute here, as fans, of your family marching members, be they your Kids, relatives, friends, loved ones who at this very moment our sharing their talents, passions in a spectacular display of memorable Sights and Sounds of Music and Pageantry. By naming first names, and their specific "talent" and Corps they represent, they'll know who they are. Thus we pay tribute and express our appreciation and gratitude for the gifts they have given to us, including former and fellow marching members as myself, Simplex Minutemen (now defunct) of Gardner, Mass from 1965-1972 as a Rudimental Bass Drummer and 24" Concert Cymbals I'll go first, As a Friend and Fan, TONY. color guard extraordinaire with the Boston Crusaders. I've watched Tony hone his dancing and equipment skills during his years with THE ACADEMY. If you had the opportunity to view THE ACADEMY's 2017, 11th place finalist production of "Drum Corpse Bride, he played the Groom. This year he is slaying "Goliath". Watching him perform, (beginning with a smile that lights up any occasion ), is Artistry in Motion, Congrats Tony. I Would enjoy learning of your personal tribute recipient. ENJOY! Thank you DCP for giving me this voice. Cheers Mates.
  3. It seems like having massive props is getting more and more expected/required - whose work, whose do not?
  4. Check this out.... https://www.dci.org/news/am-i-too-old-to-march-in-a-dci-drum-corps Yeah, tell that to the 1975 Muchachos and the 1977 Bridgemen. What a joke.
  5. Corps 12/24 will be the one that brought us a 12.25 show in the year '12. The Cadets seem to he the favorite corps to discuss for DCP so this thread is my holiday gift to the community. Enjoy! I am planning on posting my list sometime tomorrow but if I can't sleep maybe I will tackle it later tonight. What are your top 1-5 all time Cadets shows? (Optional) What are your 1-3 least favorites from them? You can go into as much or little detail as you like but please please try to keep things positive. For a quick recap in case you missed it and/or want to add your contributions: Week 1- Cavies- 2006 the Machine is the favorite and 2012 15 min of fame is the least favorite. Week 2- Jersey Surf- 2012 Bridgemania favorite Week 3- Blue Knights-1994 Trittico for bras band favorite. least 2001Blue Toons Week 4- Spirit of Atlanta- 1980 favorite Week 5- Carolina Crown- Favorite: 2015 Inferno; Least Favorite: 2017 ...It is Week 6- The Mandarins- 2017 inside the ink for favorite. Week 7- Boston Crusaders- 2000 RED is the favorite. Week 8- Pioneer- 1996 Celtic Twilight is the favorite. Week 9- Santa Clara Vanguard- 1999 Inventions for a New Millennium favorite. 1995 Not the Nutcracker least favorite. Week 10- Oregon Crusaders 2014 Nevermore is the favorite Week 11- The Crossmen- 1992 Songs for the Planet Earth is the favorite.
  6. I thought it would be cool to start a weekly thread about what performances we loved and didn't love about each corps. For week 2 we are headed to New Jersey to celebrate and discuss Jersey Surf. What are your top 1-5 all time Jersey Surf shows? (Optional) What are your 1-3 least favorites from them? You can go into as much or little detail as you like but please please try to keep things positive! I am hoping to see a lot of love for the non top 12 corps!
  7. Thanks for considering reading this wall of text. tl;dr No there are no conspiracies. There is virtually no herd mentality on the national level. Money nor reputation matters. Become a judge if you aren't already. Also--thank you if you're a fan of any of the pageantry activities. Not meant to be a dissertation, but a reflection of my many years of experience as a judge on the field and indoor. No I am not a DCI judge but I have been judging with DCI, WGI, and BOA national judges and have had many discussions with said men and women who are actively making these tough decisions. There appear to be several of us on here willing to share information so any input is very much appreciated. I am not speaking for every judge or even any group of judges but SPECIFICALLY to my experience. I'll be available for follow-up questions and concerns for a few days until this account and thread dies--if that's the case. ------------- 1) Herd Mentality Does not exist barring very few situations*. We judge the sheets. Particular to our caption, a unit can hit the sheets according to our eyeballs and our ears or it cannot. Sometimes there are difficult decisions that we have to make on the spot. We all see different things even within the same caption. Some judges are good enough to judge multiple captions. Ranks and ratings change for the same judge because they're judging a new caption. Also, when panels change, numbers will change as you have probably experienced in the past. It's absolutely unavoidable. Please also remember that there are separate numbers in what we see the designers intended to do and what the performers executed on that particular day/evening; i.e. vocabulary vs. excellence. It's the LEFT side and the RIGHT side respectively. It's not rocket science. We all have to trial judge for this and prove we can focus on our own caption and defend our numbers at critique and thereafter. *Note: Interestingly enough, every few shows a newer judge or trial judge will ask where I put a unit at any given point. I give them the neighborhood, e.g. high box 3, mid box 4, etc. but I'm very averse to providing an actual number as is anyone I have spoken with. Remember that we have fans only a few feet away from us in virtually every direction that can hear our conversations and are probably recording us on their smartphones. Why would we be idiots and mimic each other's scores? That's the dumbest thing I've ever heard. These days we can typically change our numbers for all units at the end of a round due to the mechanics of Competition Suite. It's a magical thing and it makes numbers management so much easier and more equitable. 2) Money We get a few hundred bucks or maybe a little more. It's not much. Expenses are paid if we are lucky. Rumors have it that nationals is just about the same or a little bit more but not much. This is a NON PROFIT activity. Enough said. We mostly do this because we think we can do it better than others and provide better input. We're not in this for the money--heck, we may be better off bartending for an evening. We do get the best view in the venue. That's why I do it--along with providing input to groups who actually give a **** as to improving their units. Most of us want the activity to grow and performers to get better; however, some judges are jerks who just want to criticize and call out things that are wrong because the units are not doing what they did 5, 10, or 50 years ago. It oftentimes gets tiresome in the judge's room and occasionally pisses me off. That's the main frustration I've had. We tend to argue when I encounter a judge who made a number I sorely disagreed with in a caption I've judged; there's a 50/50 chance I'll win and they'll rethink their numbers next time around if they're given the opportunity. We're otherwise complaining as to why we got a baked potato for a "meal." 3) Reputation This gets a little complicated. Many judges have obligations outside of judging. For example, several have contracts with percussion, winter guards, winds, marching bands, drill design, you name it. However, from my experience, it really doesn't matter. Our reputation is founded on the basis that we put down a number, record our commentary, and defend every ounce of it. We sometimes get stuck with a number we put down during an earlier part of the season and have to really back up any changes later in the season. As long as we reflect our APPROPRIATE number based on the sheet of our particular caption during that specific performance, it doesn't matter if we give 3rd place to a 12th place unit or vice versa. I've done it many times, "called" many shows, and still get asked to judge again. Judge's commentary is becoming more and more public, so I make sure to talk about the stuff I want my dear mother to hear as well as the unit staff and most importantly the performing members. When I hear from either the Chief Judge or a director that they played my commentary to their students, it means the world to me. Knowing they sacrificed several minutes of their valuable rehearsal time to listen to my exhausted hoarse voice makes my day. 4) Critique Sometimes a show will have a requirement for the judges to participate in critique sessions with the units. We may also get emails, phone calls, or texts about why a unit was ranked and rated as they were. This can get stressful. This is why we take notes. I keep my notes for at least 3 years. Every show is different. Some times I'll place a unit higher than another, and I take notes as to why (even though it's inappropriate to talk about other units during critique). Focus on your own show on your own caption and unit I always say. However, it's good for me to back up to the Chief Judge why I flip-flopped or made an uncanny or unpopular choice. I do it all the time. Most times people get it--they watch their competitors and see why they have fallen (or risen) in my particular caption. Critique allows us to gather input from the units and provide feedback beyond our recorded commentary. Heck I've unintentionally made a former colleague cry during critique. I've also had a situation when we had to get the Chief Judge to kick out an overdramatic irate director during critique. What really pisses us off is when someone only rants about their score without having listened to the commentary. All I can reference is my notes at that point. The commentary is not a part of my records but a part of yours. Do your homework. Listen to the commentary. 5) State of the Activity Plan on being angered! Many current judges should consider retiring. The activity has changed considerably in the past decade--let alone the past several decades--and corps art is not being recognized properly. The newer judges, about a third of any panel; if we're lucky, have still been removed from the activity for a decade or more. Yes, this is a traditional activity and that I quite understand. Furthermore, most design and tech staff who have been a part of the top competing units are of a separate generation with separate visions working alongside older generations with progressive acuities. There's a lot of subjectivity with the sheets and what is put on the field or floor. A few older judges see this. Most, however, don't. This is, in my honest opinion, the main disconnect between the overall numbers and what the fans want to see rewarded. So where is the activity heading? Which leads me to this: 6) Next Steps Trial judge. Regardless of your age. We need more judges. Many of you are analytical critical jerks and we really could use your help. Whether it's percussion, guard, winds, visual, brass, whatever. We need new blood in every activity. Please consider contacting a local circuit and start trialing. Before you know it, you may be judging state and regional championships and knocking on DCI, BOA, or WGI's doors. Just show up. That's half the battle. You're not running for office--you're helping develop youth and art. We just need new people with deductive mindsets willing to put in their experience and research to current events on the field and the floor. We're no better than you. The activity is changing too fast for most of us. Regardless, please stay a supporting member or fan of the marching & pageantry arts no matter what. The common sports have enough fans. Show up to all sorts of our musical and "artsy" competitions just because, well, reasons. Thank you. Edit: Changed title of thread. Edit: Here's a copy of the 2012 DCI sheets thanks to @Jeff Ream
  8. This past Saturday (June 17), I went to the Sacramento Mandarins' Family Day show. I was very excited by what I saw. Over the past few years, Mandarins have continued to do better and better each year. I fee like they made a sizable jump in size and quality about 3-4 years ago and the Mandarins of today are on another level than a few years ago. Since joining Division 1/World Class, I feel they are often overlooked (Their 2013 show was OUTSTANDING). I think this will be the year they make a jump in scores and placements. I think they will continue to turn some heads. I believe they will be on the DCI cinemacast this year, and have an outside chance (depending how the cards fall) of making finals. Key Take-Aways: -Mandarins are marching a full corps (150 members) -Show theme is "Inside The Ink" which (this is my take, I have not seen a formal description) explores Rorschach tests and how what you see might not be what others see. -All sections are STRONG. Hornline is HOT (go to their Facebook page and watch a warm-up they posted - dang!), percussion sounds great, and guard is REALLY strong. I think that something great about this show is that it is written just right - meaning, that while challenging, every section can be successful at a high level and will be improving at every show throughout the summer. Visual is the weakest as of now and will benefit immensely through repeated practice and shows. -A special shout out to the guard, who is, by far the best guard the Mandarins has ever fielded. A great deal of equipment work. -My favorite part of the show is the Sound of Silence. VERY effective! Best of luck to them for a successful, safe, and fun summer! If you have a chance to see them, definitely do - such a great corps!
  9. Mine are (sorry for the BD bias): 2017- TBD (but I have a really good feeling) 2016- Blue Devils, show aged like fine wine. I pick up on every new time I watch it. 2015- Blue Devils, Ink is one of the most emotional shows ever. I get all sorts of warm and fuzzy moments all through the show. The silence in the ballad, the intensity in the opener build. It really was a great show. 2014- Do you even need to Felliniask? 2013- Santa Clara Vanguard, I loved seeing Vanguard come back to a "Broadway" style show. It brought out the beauty and the darkness of Les Mis. Some of the best storytelling in DCI. 2012- Crossmen, lots of great stuff in 2012 but I just keep coming back to it. That opener is incredible, but alot of people forget about the closer. Some great drill moments there. 2011- The obligatory Cadets. Everyone was super competitive that year, but Cadets show is a GE monster that I just keep coming back to. Such a physical show, not to mention that brassline was phenomenal. 2010- Blue Devils, Through a Glass Darkly was one of the most misunderstood shows of the decade IMO. Looking back on the past with the mirrors was such a great design feature. The guard was perfect that year, and that opener had the most magical chords. 2009- Blue Devils, more of a fan favorite show and I loved every second of it. Gershwin is one of my favorite composers and the show is riddled with his tunes. 2008- Crown, Finis is one of those "no...we're here to stay" kind of shows. It's a Bloo 2015. Or a Blue Knights 2005. Triple Crown showed they were competitive, 2008 showed they were consistent. The opener was gorgeous and the show overall was straight up beautiful. Everything was executed beautifully. 2007- Cadets, one of the most underrated shows in history. I honestly think it could have won with just a little more cleaning. It was everything I wanted and more.
  10. I have been listening to a lot of Crown years over the past few days and it has me thinking; Is Michael Klesch the absolute BEST brass writer in DCI? I mean is there anyone else who can even touch is fantastic writing? Clearly, this is just a matter of opinion and I am absolutely sure there are writers that are just as fantastic. I am just saying, there is no other brass section I would rather listen to more in today's drum corps than Carolina Crown, and Klesch's arrangements over the years have been nothing less than stellar. And although they placed 5th in that Space show, I still find myself listening to that show relatively frequently. **This is not intended as a bashing session against other brass arrangers, rather, it is a heavy praise for someone who has given us years of spectacular musical arrangements.** I'm loving some Klesch.
  11. As the subject states has anyone heard of the Tiago ThunderBirds?
  12. I haven't seen a thread for parents, so I'm throwing my hat in the ring! With the cost of tuition, flights to auditions and camps, and saying goodbye to your kid for 3 months....we make a few sacrifices too!! As a proud mom from CA, I was only able to see one show, in Atlanta this year.......but it was the best day of my summer!!! I wanted to steal my son and drive away!!! Any other parents out there care to share???
  13. I marched with Troopers in the 80s and find I still enjoy following drum corps, not only nostalgia but also keeping up with present developments and competition. I make it out to 1-2 shows a year. I look forward to the discussion and reconnecting with old friends and making new ones.
  14. Kudos to the Sacramento Mandarins who helped the FREE Players Drum Corps move their equipment onto the field for their performance at DCI East in Allentown. Despite tight scores/rankings, highly competive seasons, and face-paced schedules, drum corps' MMs and staff continually go out of their way to help and support other drum corps organizations. What stories do you remember about being there for other corps or other corps being there for you? https://www.facebook.com/drumcorpsinternational/posts/10153524081974172
  15. Lots of DCI fans have really enjoyed the Sacramento Mandarins in 2015. Some see a bright future for the corps, possibly contending for a finalist spot in the next few years. How have you enjoyed the Mandarins this year? Field Pass Podcast: Mandarins have 'The Edge' in 2015 Link to Field Pass: https://soundcloud.com/drum-corps-international/20150731-fieldpass
  16. Since we've had electronics and amplification around for several years, let's discuss it's use in 2014 shows and how effective it was. I figure we can catagorize it in the following uses: Amplifying / Altering traditional DCI accoustic sounds (brass, battery, pic) Amplifying / Altering live voice Use of prerecorded voice Use of prerecorded sound effects Use of synthesized traditional non-DCI instruments (piano, guitar, organ) Use of other traditional synth sounds (bass, synth strings) Any other uses?
  17. The purpose of this post is for us to discuss all the interesting and fun program points of last year's shows, 2014. I want to start a discussion where we can share what we thought was cool, congradulating the creative design and the performers. Comments should be focused on how a show's element (music, drill, guard movement, costumes, props, sound effects, music choice) helps tell the story of that corps' show. Please start your post or comment with what corps / show you'd like to discuss. And please keep it positive. I'll start the conversation with this: CAROLINA CROWN - OUT OF THIS WORLD I loved how the the "countdown" in the opener lined up with the rifle tosses. Perfectly matched with David Bowie's "Space Oddesy" get us ready to blast into outer space. And good use of amplified voices, singing the words, "Ground control to Major Tom" with mission control talk all around. And then, way later in the show, they break out into Peter Schilling's "Major Tom" as a fanfare after the drum break following the all trumpet / mello feature. Brilliant! https://www.youtube.com/watch?v=N1Hs2AQwDgA
  18. Hello everyone! My name's Sara Rogers & I'm in need of a bit of help! I'm currently in the running to win a 2 week trip to Norway to be a Photojournalist for Visit Norway. It's a BIG deal and could possibly change my life for the better! All you need to do is VOTE for me! I promise, for signing up, you won't be spammed with emails. It's a one time sign-up and no strings attached to vote. You're also able to got once a day! I would GREATLY appreciate it if you're able to participate & share this in any way! Would love to have support from my drum corps family! Here's the link: http://dreamjobbing.com/l/00058c Here's my background in drum corps: White Sabers (DCA) Color Guard, 2006 Rochester Crusaders (DCA) Mellophone, 2007-2009 Carolina Crown (DCI) Mellophone, 2010 The Cadets (DCI) Mellophone, 2011-2012 Boston Crusaders (DCI) Videographer, 2013 The Cadets/YEA! (DCI/DCA) Media Producer, 2014 THANKS!!!
  19. If you are looking for something fun to do on Sunday of the Allentown weekend, please consider joining the Crossmen members, staff, supporters, alumni, volunteers and fans for a great lunch time banquet. Come mingle with other drum corps fans and support a great cause. Wednesday July 23 is the last day to order tickets, there is plenty of seating available so act fast! Click the link below to buy tickets, they are $50 per person. http://www.crossmenalumni.org/articles/celebrate-the-40th-anniversary-of-the-crossmen-in-allentown.html Crossmen/CAA 40th Anniversary Banquet Sunday, August 3, 2014, 11:30 am Holiday Inn Center City Allentown 904 West Hamilton Street Allentown, PA 18101 You're invited to the 40th Anniversary Banquet of the Crossmen on Sunday, August 3, 2014. The entire 2014 corps will be there too. Join us on Sunday, August 3, 2014 for the 40th Anniversary Banquet to be held at Holiday Inn, in downtown Allentown. Cocktail hour (cash bar) will begin at 11:30 am with the lunch banquet following. Ticket price for the banquet is $50.00 per person and can be ordered at the bottom of this page. Extend your DCI East weekend to join us on Sunday, August 3rd, 2014 for the 40th Anniversary Banquet & Silent Auction. The event, to be held at Holiday Inn Downtown Allentown http://youtu.be/lEc05VC77Mc , will begin at 11:30am with a meet and greet cocktail hour with hors d'oeuvres, silent auction, videos, memorabilia and much more. Dress code is semi-formal. A block of rooms have also been reserved at a discounted rate. Rooms are available now, but will go quickly. http://www.ihg.com/holidayinn/hotels/us/en/allentown/abehs/hoteldetail?qAdlt=1&qBrs=6c.hi.ex.rs.ic.cp.in.sb.cw.cv&qChld=0&qFRA=1&qGRM=0&qGrpCd=DRC&qIta=99801505&qPSt=0&qRRSrt=rt&qRms=1&qRpn=1&qRpp=10&qSHp=1&qSmP=3&qSrt=sBR&qWch=0&srb_u=1&icdv=99801505 Need tickets for Saturday's Allentown show? Box Office is open now! The corps is offering tickets for select DCI Shows (including Allentown) which can be purchased on their website. Get your show tickets here
  20. Akron Cinecast Review Let’s start off with some disclaimers. I’m a guard person, and I’m much more active in the winter than in the summer. I have no musical training, so I can’t comment much on brass or percussion. I mostly watched the color guard and overall visual effect. With that out of the way, here we go. Cavaliers: I just could not get into this show because of the cheesiness factor. My guess is this show looks and feels much different under the lights, because during the day it felt comical and forced from the guard. The guard characterization was not right for me – I know that’s what they were given, but as an overall concept I think it was wrong. Also, didn’t Crossmen do this a few years back? Positively, the marimba feature is awesome. I enjoyed the drill; lots of visual impact and some clean moments from a guard perspective. The guard relies heavily on the 8 weapon boys – kind of obvious that there are some flag members that are struggling. Cavies have a high upside with their visual, but there needs to be a more mature vibe from the color guard. Scouts: The commentators nailed it at the end of the performance: what was the significance of the actor who walks from one corner to the other corner, does a tumbling routine, and then show’s over? I know this characterization will be added in, but they’ve created so many moments around him that to not explain him or his role was criminal. They even had a show designer talking about the show who made no mention of it. I like the progression from black and white to psychedelic. The guard has a lot to clean and clarify, but I was underwhelmed by vocabulary and impact. Another reviewer said there weren’t a lot of impact moments, and I agree. What’s memorable about this show? Corps proper uniforms weren’t impressive, but the guard looked good. Overall, I would have put them last tonight. Boston: Okay, I liked this show, and I’m trying to separate bias. Michael Lentz show design is all over this production, and it’s obviously something new to DCI, let alone Boston. The corps struggled through their first performance. The visual demand is sky-high, and achievement is way behind. BAC has so much work ahead of them to clean up visually. That said, I love the moments. I am familiar with Lentz’s style in the winter, and it’s clear they went visual first (as opposed to Bluecoats/Scouts music first). The guard personifies the show, and I thought they struggled to meet a high-demand show. Weapons probably had the most drops of all corps. The last minute or two of work still needs to be filled in. But again, I like this show. I didn’t need a storyline, and clearly they know where their moments are. I thought they should have been closer to Cavies, but obviously a lot of dirt to be cleaned and filled in. I am looking forward to seeing where this show is at the end of July. Phantom: Totally opposite from Boston in terms of readability and cleanliness. This is probably my favorite PR production in sometime. Clear storyline that’s not totally hokey. PR’s guard puts a lot of emphasis on clean, readable work; although to me it looked like harder work than last year. They need to work on some of the transition stuff, especially uniform changes because it was just way too forced instead of an impactful change. The music was very enjoyable, and complimented the visual. PR has a history of adding onto their visual over the summer, so I look forward to the additions. As it stands now, they just look safe. Solidly middle of the finalist pack, and only ahead because of clarity. Very similar to last year, and I could see them getting passed by a corps or three. The white guard costumes were correct, but not totally flattering to the girls. Characterization was spot on – they expressed themselves wonderfully and believably. My favorite moment might have been the wing-flapping free arms under a toss. I’m not sure what more beef can be added to this show, so it will really be up to other corps to see if they can catch up to PR’s polished show. Cadets: I saw their run-through they posted as a live feed, so I spent a lot of time watching my friend who was featured in a lot of parts. Great overall show, and felt more traditional than the corps around them. Music was great as I love Copland. Guard was performing at a high level. I am wondering about the costume changes and hoping that adds more to the visual program. I don’t really like the blue costumes – they don’t seem to be the right shade to evoke Americana and lore. My other big criticism was the long phrases of ensemble work. I wanted to see something a little more interesting instead of the whole guard spinning the same work. That style is great for an effect, but after a while loses its luster. I see why the corps is winning; there is not a down section of the show. But I do struggle to come up with a memorable or signature moment besides the ending, which is mostly memorable for being a big musical hit. I could see this show leveling off and falling out of a medal. Crown: This was a hard show for me to consider. At times, the show was championship caliber – pushing boundaries, creating amazing visual impact, and interesting and entertaining music. But, there were also moments of nothing – no impact, no emotion, and using props/equipment just to be using props/equipment. And so I am not sure if I like this show or not. I don’t think the trampolines add much – there wasn’t anything super cool being done with them. I liked the Frisbees, but did not like the hoops the guard danced with. I hated the guard costumes – looked very high school and not like mature performers (exception: the face mask was interesting). If Crown can resolve the dead portions of their show and eliminate some of the cheesiness I would be much more on board. A lot of high achievement from the guard, but the costumes made them look young. I had similar feelings about the corps proper uniforms – I think it makes the corps look short (or maybe it was a bad camera angle). There’s a lot to play around with in this show, so I am looking forward to seeing where the show evolves. Bluecoats: Another show where I spent a lot of time looking for my friend in the guard. As an aside, I have no idea how the DCI judges stay focused for the whole show. There’s a lot of tenacity there. Back to Bloo, this show was great, but still a step behind Crown/Cadets. The problem with moving up in the rankings is you have to knock someone out, and I’m not sure if they can dislodge Crown/Cadets/BD for a medalist spot. The programming was great – I really enjoy the concept of tilt with the props and the altered field. One example – when the guard spins around the perimeter, it’s a great effect as opposed to when Madison did it which looked thin and too spread out. I appreciate a lot of the nuance, but I think they need to dial it up to take a crack at the corps above them. I love where the show is going so I hope they can pull it off.
  21. Oregon Crusaders has made a pretty cool animation to try and describe why we drum corps people do what we do, what it takes to do it, and the impact it has on the community. http://oregoncrusaders.org/thekid/ The video with animation is pretty cool and was done by an OC vet.
  22. If you've never seen JDFunCorps on YouTube, you're missing a treat, and some lessons into the sometimes hilarious mind of a current marcher. He has been very creative in his little two-minute videos about drum corp, and in using he creativity to raise tour fees so he can march. Subscribe to his channel. It's well worth it (and maybe send him a buck or two for his tuition to Spirit this summer). In this video he takes a direct shot at the "Old Guys" on DCP who do nothing but complain about today's drum corps. Very funny, very relevant. In honor and support of his love of marching, of his creativity, and of his need for marching funds, I will, beginning today, match dollar-for-dollar every contribution from every public DCP member who donates to Spirit of Atlanta towards his 2014 tour fees, up to $250.* *This offer is valid from February 8th, 2014 through May 30, 2014 and represents my total matching contribution. Proof of contribution required for matching funds. PM me for my email address to send paid online receipt showing contribution to Spirit of Atlanta towards David's tour fees. http://www.youtube.com/watch?v=B5m2lTw6KHA&list=UUYfEZOQxlNzUCS07ymgbmaQ&feature=c4-overview
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