fecontra Posted August 27, 2010 Share Posted August 27, 2010 . The true genius of downey/meehan/glyde is the way that the juxtiposed that chaos with one of the most beautiful melodies ever... "Laura". Thanks ..... but I'll take the 1964 Golden Knights version of " Laura " some pieces just do not warrant " interpretation " and congrats to Blue Devils - you were a deserving champion. Quote Link to comment Share on other sites More sharing options...
skywhopper Posted August 27, 2010 Share Posted August 27, 2010 (edited) Can you point me to the 5-second snippet in the APD where they play that melody? They start using the melody at about 2:45 but from about 4:45 through 6:10 they play it pretty straight-up, and gorgeously. I'm not a big fan of the show, but that is some good stuff, there. Edited August 27, 2010 by skywhopper Quote Link to comment Share on other sites More sharing options...
skevinp Posted August 27, 2010 Share Posted August 27, 2010 Maybe it was a gracious move but I want folks to remember that if BD had performed their intended show (including Asphalt Cocktail) would there still be so much angst about their repertoire? You are perhaps assuming they would have played it anything like the way Bluecoats did, but I'm not sure how that would have fit into what they wanted to do with their show. And if they had played it in a way that did fit into their show, it may have been so different that no one really thought of them as playing the same thing anyway. I don't think the musical selection is what prevented so many people from connecting, at least quickly or easily, with the show. Laura and Los Suerte aren't exactly unpopular tunes. It's what they did with the music that not everyone connected with. I liked it a lot more after listening to it a few times, but I still wonder if it might have worked better to spend a little more time establishing Los Suerte at the beginning and a little more time returning to it at the end. But perhaps the chaos of our world is thinly bound. Quote Link to comment Share on other sites More sharing options...
victorcoly Posted August 27, 2010 Share Posted August 27, 2010 I really believe that if many of the music critics of "TG,D" would listen to BD's final audio production recorded at standstill live in Buffalo, when it becomes available, they will have a better understand of it's complexity and musical wisdom. I believe much the same way, the musical production of SOI 93 has the same feel to it. The diffence is SOI 93 had complete musical phrasings throughout more iof their program!! Quote Link to comment Share on other sites More sharing options...
GMichael1230 Posted August 27, 2010 Share Posted August 27, 2010 Can you point me to the 5-second snippet in the APD where they play that melody? The entire piece was outstanding, full of emotion, varying emotion, and dynamics. Not every melody is defined in four notes... G Quote Link to comment Share on other sites More sharing options...
Tom Brace Posted August 27, 2010 Author Share Posted August 27, 2010 Can you point me to the 5-second snippet in the APD where they play that melody? that was rather snarky of you. Quote Link to comment Share on other sites More sharing options...
Fievel Posted August 27, 2010 Share Posted August 27, 2010 The diffence is SOI 93 had complete musical phrasings throughout more iof their program!! Except for the blink-and-you-miss-it minuscule bit of Niner-Two in the show. Quote Link to comment Share on other sites More sharing options...
oldbandguy Posted August 27, 2010 Share Posted August 27, 2010 What makes you think BD didn't play "Asphalt Cocktail"? I would have sworn it was being played by 2 baritones, 1 mello and bass drum 3 on the left side of the 50 during the last 45 seconds of the closer. I thought it was pretty cool. But I liked the way Bluecoats did it better Quote Link to comment Share on other sites More sharing options...
Plan9 Posted August 27, 2010 Share Posted August 27, 2010 The diffence is SOI 93 had complete musical phrasings throughout more iof their program!! That is perhaps a difference. Different designs but the same situation...a portion of the audience population that rejected the notion of something different. They looked just like your emoticon! Quote Link to comment Share on other sites More sharing options...
supersop Posted August 28, 2010 Share Posted August 28, 2010 I couldn't hope to speak for Downey, but I do know that "Asphalt Cocktail" was an early choice and pulled before camps. I think the point is that they were looking for a piece that reflected chaos of the city, driving the interconnected counter movements that populate much of the design. In short, from the beginning it appears that the feel was to be managed chaos. The true genius of downey/meehan/glyde is the way that the juxtiposed that chaos with one of the most beautiful melodies ever... "Laura". I really believe that if many of the music critics of "TG,D" would listen to BD's final audio production recorded at standstill live in Buffalo, when it becomes available, they will have a better understand of it's complexity and musical wisdom. I believe much the same way, the musical production of SOI 93 has the same feel to it. So it will sound different when they are standing still? Part of great visual design is staging voices so that all voices can be heard when their supposed to be heard and within the proper context. I hope I hear exactly the same thing from Buffalo as I'll hear on the DVD/CD when it arrives. Quote Link to comment Share on other sites More sharing options...
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